The recipient of the Cecil B. DeMille Lifetime Achievement Award at the Golden Globes often has the tall task of delivering a speech for the ages. With the exception of Oprah Winfrey in 2018, most winners will use their acceptance speech time to take a trip down memory lane and cover their career highlights.
Today, Jane Fonda accepted the inaugural gold statue. An outspoken advocate for many decades, the 83-year-old actor has protested war, violence, discrimination, and now our collective inaction when it comes to saving planet Earth. Today, Fonda took a leaf out of Winfrey’s book and used the platform to call for better leadership in Hollywood to ensure all stories are told, not just that of white people.
The subject of her speech took direct aim at the Hollywood Foreign Press Association, a committee of 87 journalists who are paid to decide who wins such awards at the Golden Globes. Of the members selected, not one of them is a Black person.
We have a transcript of the powerful speech here.
— Fire Drill Fridays (@FireDrillFriday) March 1, 2021
“Thank you all the members of the Hollywood Foreign Press Association. I’m — I’m so moved to receive this honor. Thank you.
You know, we are a community of storytellers, aren’t we? And in turbulent, crisis-torn times like these, storytelling has always been essential.
You see, stories have a way to … they can change our hearts and our minds. They can help us see each other in a new light. To have empathy. To recognize that, for all our diversity, we are humans first, right?
You know, I’ve seen a lot of diversity in my long life and at times I’ve been challenged to understand some of the people I’ve met.
But inevitably, if my heart is open, and I look beneath the surface, I feel kinship.
That’s why all of the great conduits of perception — Buddha, Mohammed, Jesus, Laotzi — all of them spoke to us in stories and poetry and metaphor.
Because the nonlinear, non-cerebral forms that are art speak on a different frequency.
They generate a new energy that can jolt us open and penetrate our defenses so that we can see and hear what we may have been afraid of seeing and hearing.
Just this year, “Nomadland” helped me feel love for the wanderers among us. And “Minari” opened my eyes to the experience of immigrants dealing with the realities of life in a new land.
And “Judas and the Black Messiah,” “Small Acts,” “US vs. Billie Holiday,” “Ma Rainey,” “One Night in Miami,” and others have deepened my empathy for what being Black has meant.
“Ramy” helped me feel what it means to be Muslim American.
“I May Destroy You” has taught me to consider sexual violence in a whole new way.
The documentary “All In” reminds us how fragile our democracy is and inspires us to fight to preserve it.
And “A Life on Our Planet” shows us how fragile our small blue planet is and inspires us to save it and ourselves.
Stories. They really, they really can change people. But there’s a story we’ve been afraid to see and hear about ourselves in this industry. A story about which voices we respect and elevate — and which we tune out. A story about who’s offered a seat at the table and who is kept out of the rooms where decisions are made.
So let’s all of us — including all the groups that decide who gets hired and what gets made and who wins awards — let’s all of us make an effort to expand that tent. So that everyone rises and everyone’s story has a chance to be seen and heard.
I mean, doing this simply means acknowledging what’s true. Being in step with the emerging diversity that’s happening because of all those who marched and fought in the past and those who’ve picked up the baton today.
After all, art has always been not just in step with history, but has led the way.
So, let’s be leaders, OK?“