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By Team GRAZIA

Mimi Vuong Brings Out the Best in Brands, From Billie Eilish to Canon

How does a woman of color who found her voice and confidence through a predominantly white, male-dominated entertainment industry shatter glass ceilings, rewrite norms, and become a sought-after film director and editor? If you’re Mimi Vuong, you accomplish this feat by seamlessly combining raw emotion with technical mastery to capture the essence of brands that make lasting impressions. Her editing style is the result of years of carefully mastering the ways of mixing, layering, and intersecting various techniques and tricks to create very seamless transitions from one clip to the next, making her invaluable as her style cannot be easily replicated.

And global brands have taken notice. From working with music luminaries like Billie Eilish to leading creative campaigns for industry giants like Canon to collaborating with Adidas, Nike, Universal Music, and Sony Music, Mimi has consistently showcased her ability to bring out the best in brands.

One of her most noteworthy projects was with pop sensation Billie Eilish. Given a short timeframe of just three days, Mimi transformed a 15-minute raw interview into a captivating four-minute video. The result? A work so authentic that Eilish herself couldn’t resist sharing it on her Instagram Stories. Garnering over 2.5 million views, this feature stands as one of Hypebae’s most-viewed videos. Mimi accomplished this feat because she has the eye and ear for reviewing footage and handpicking key moments to edit something digestible for the audience. It’s a rare gift to quickly identify those key sound bites, and that’s what makes her stand out from the rest: her ability to work fast and create emotionally impactful content.

“Mimi has a unique way of tapping into the individuality of her subjects,” says a spokesperson for Hypebae. “She weaves narrative and visuals in a manner that turns even a short interview into a storytelling experience.”

Mimi’s portfolio also includes leading the creative team for Canon’s “Jumpshot” app launch. She elevated the campaign to new heights by employing a rare combination of editing, motion graphics, and VFX skills. Under her guidance, the app soared to a top-tier position in the App Store and continues to be Canon Canada’s most downloaded app since its 2016 launch. The “Jumpshot” app is still available on the App Store for free.

In recognition of this work, Mimi received accolades at Canon’s annual international awards gala, including the President’s Award for Leadership Mindset. “What sets Mimi apart is her multidisciplinary skill set,” notes a Canon executive. “She’s not just an editor or just a director. She’s a creative powerhouse.”

The path to such high-profile successes was not without challenges, however. “I’m living proof that resilience can shape destinies,” Mimi asserts. From a humble Canadian upbringing, where her Vietnamese immigrant parents instilled values of hard work and perseverance, Vuong became a trailblazer. She not only conquered financial barriers but also battled her innate shyness, propelling herself into unfamiliar territories. “Embracing discomfort transformed my once-timid self,” she shares.

It also transformed the trajectory of her career. As Mimi looks toward the future, her aspirations remain grounded in creative storytelling and social change. “I see myself reshaping narratives and amplifying underrepresented voices,” she says. From expanding her creative practice overseas to cultivating talent of diverse backgrounds, Mimi plans to continue being a vanguard in the industry.

For those embarking on their creative journeys, Mimi offers this advice: “Embrace the unknown and view setbacks as stepping stones. Let your determination be the force that propels you toward your dreams.”

In a world eager for authentic narratives, Mimi continues to set an inspiring example. She is not just a film director and editor. She is a change-maker whose unique skills and resilience bring out the best in both brands and individuals.

ITP Media Group newsroom and editorial staff were not involved in the creation of this content.

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