In an era where technology continuously refines artistry, one name stands out: Harrison Lee, a pioneering composer, and electronic artist. Harrison’s innovative approach to musical collaborations, driven by a fusion of traditional instrumentation and electronic synths and drums, is radically transforming the music industry.

An early bird in the world of music, Harrison began his journey by mastering the cello. His outstanding talent shone through when he won the 2006 Telus Young Composer’s Competition, collaborating with Allan Gilliland and the Edmonton Symphony Orchestra. This triumph was quickly followed by a grand musical expedition for the 2007 Western Canadian Summer Games live broadcasts.

Lee’s professional stride didn’t stop there. His electronic exploration started in Edmonton in 2010 with the launch of Secret Squares. His musical alter ego, HAL9000 or hal9kay, along with his partner, Kurtis Schultz, aka Kusch, moved to LA after a successful stint in Canada, where they managed to make it into the Edmonton Journal’s ‘New Music’ ranking.

Aiming to up his game, Harrison pursued further study at the University of Southern California (USC). He graduated from USC’s Scoring for Motion Picture and Television (SMPTV) program, earning the esteemed Harry Warren Endowed Scholarship. Here, he deepened his understanding of music and its role in visual storytelling.

Working closely with renowned composers like Darren Fung, Ed Shearmur, Jongnic Bontemps, and others opened avenues for Harrison, enabling him to explore the cutting-edge of composing via computer. His work in films like xXx: Return of Xander Cage, in collaboration with Robert Lydecker and Brian Tyler, speaks volumes about his prowess. His artistry lay in taking Brian and Robert’s themes and tailoring them seamlessly to fit both emotionally vulnerable and action-packed scenes.

A significant highlight of Harrison’s career was working on the 2017 blockbuster, The Mummy. Collaborating with Brian Tyler, he introduced an innovative layer of cello atmospheres, composed, improvised, and mixed to perfection, becoming an integral part of the film’s score.

Lee’s versatility is evident in his work on the series, The Filth, which premiered on revry.tv. Teaming up with Jamie Holt and executive producer Harvey Guillén, Harrison navigated complex comedic scenes and quirky monologues. His distinct style of music, married with his technological prowess, allowed him to establish a fresh rhythm in the series.

Harrison’s collaboration with Goldiii stands out as a testament to his adaptability and ingenuity. In this project, he skillfully interweaved modern electronic beats with classical opera pieces. His extensive familiarity with Ableton Live empowered him to build an error-proof live-performance rig, which was put to the test at the Lightning in a Bottle – 2019 festival.

Above all, Harrison’s passion for using technology to create novel electronic instruments and new modes of writing music, such as circuit bending and modular synthesis, highlights his forward-thinking mindset. Trusted for his ability to solve problems both musically and technically, his innovative approach and unparalleled work ethic inspire composers and music enthusiasts alike.

Looking ahead, Harrison aspires to work on more comedy productions, citing their capacity for dramatic music in various genres. He also hopes to work on a feature-length sci-fi film or sci-fi episodic.

Harrison’s journey, a testament to his innovative spirit, speaks volumes about the boundless potential of harmonizing traditional and electronic music. It is a beacon of inspiration that lights the path for future generations in the music industry.

To follow Harrison Lee’s innovative journey, explore his music, and immerse yourself in the vibrant world he creates, head over to Instagram or his Linktree. Be part of the revolution as he continues to push the boundaries of musical collaboration.