{"id":89948,"date":"2024-04-22T09:00:54","date_gmt":"2024-04-21T23:00:54","guid":{"rendered":"https:\/\/graziamagazine.com\/?post_type=articles&#038;p=251278"},"modified":"2024-04-23T17:59:31","modified_gmt":"2024-04-23T17:59:31","slug":"the-tortured-poets-department-easter-egg","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/the-tortured-poets-department-easter-egg\/","title":{"rendered":"The Tortured Poets Department: Does Taylor Swift Call Out Kim Kardashian And Matty Healy?"},"content":{"rendered":"<figure id=\"attachment_251281\" aria-describedby=\"caption-attachment-251281\" style=\"width: 1440px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-251281\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/04\/The-Tortured-Poets-Department.jpg\" alt=\"The-Tortured-Poets-Department\" width=\"1440\" height=\"1440\" \/><figcaption id=\"caption-attachment-251281\" class=\"wp-caption-text\">Taylor Swift&#8217;s eleventh studio album, The Tortured Poets Department, is a retrospective on past relationships and a definitive break-up album. As she says, &#8220;All&#8217;s fair in love and poetry&#8221;. Credit: Instagram\/@taylorswift<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">On April 19, Taylor Swift unleashed her definitive break-up album in the form of her eleventh studio record, <\/span><i><span style=\"font-weight: 400\">The Tortured Poets Department. <\/span><\/i><span style=\"font-weight: 400\">Like her previous narrative-driven works, Swift threads a tale of heartbreak and introspection, with the songstress casting herself as \u2018The Chairman\u2019 of the titular fictional bureau. <\/span><\/p>\n<p><span style=\"font-weight: 400\">As expected, the album is littered with cryptic lyrics and conspicuous references that fuel conspiracy theories and signal Swift\u2019s inspiration for penning the tracks. From the outset, all clues pointed to the record being a cathartic retrospective of her relationship with Joe Alwyn. Yet when the first 16 tracks arrived at midnight\u2014and then a subsequent 15 more at 2 AM to form her secret double album, &#8216;The Anthology&#8217;\u2014Swifites were in disbelief to learn that The 1975 frontman Matty Healy might actually be the subject of the record.\u00a0<\/span><\/p>\n<p>Over a total of 31 songs, Swift&#8217;s pendulum swings from regret to resentment. But none more scathing than the salaciously titled song,\u00a0 &#8220;thanK you aIMee&#8221;. With the obscure capitalization spelling out the word &#8220;KIM&#8221; and the lyrics calling out a &#8220;bronze, spray-tanned statue&#8221; of a bully, parallels can&#8217;t help be drawn to Swift&#8217;s ongoing feud with Kim Kardashian.<\/p>\n<p><span style=\"font-weight: 400\">To help cut through the noise, we\u2019ve compiled a comprehensive breakdown of the album, including every Easter Egg of note and lyric worth scrutinising. Ahead, a complete analysis and guide to understanding Taylor Swift&#8217;s album, <\/span><i><span style=\"font-weight: 400\">The Tortured Poets Department<\/span><\/i><span style=\"font-weight: 400\">.<\/span><\/p>\n<div style=\"width: 1080px;\" class=\"wp-video\"><video class=\"wp-video-shortcode\" id=\"video-89948-1\" width=\"1080\" height=\"1920\" preload=\"metadata\" controls=\"controls\"><source type=\"video\/mp4\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/04\/The-Tortured-Poets-Department-Fortnight.mp4?_=1\" \/><\/video><\/div>\n<h5><strong>All The Easter Eggs In <em>The Tortured Poets Department.<\/em><\/strong><\/h5>\n<p><strong>1. The Album Title:<i> The Tortured Poets Department<\/i><\/strong><\/p>\n<p><span style=\"font-weight: 400\">Swift\u2019s acolytes believe the album title itself is a reference to Joe Alywn. But let&#8217;s take a step back, shall we? <\/span><\/p>\n<p><span style=\"font-weight: 400\">In 2022, while accepting a songwriting award at a Nashville event, Swift shared the <a href=\"https:\/\/variety.com\/2022\/music\/news\/taylor-swift-speech-songwriters-award-nashville-three-categories-lyrics-1235378877\/\" target=\"_blank\">songwriting tool<\/a> she employs to help craft her lyrics. This trope wasn&#8217;t previously known to her fans, but it entails Swift mentally categorising her lyrics into three different groups. \u201cThey are affectionately titled Quill Lyrics, Fountain Pen Lyrics and Glitter Gel Pen Lyrics,\u201d she said. \u201cI came up with these categories based on what writing tool I imagine having in my hand when I scribbled it down, figuratively,\u201d she added. Swift confirmed <\/span><i><span style=\"font-weight: 400\">TTPD <\/span><\/i><span style=\"font-weight: 400\">doesn\u2019t feature any \u201cGlitter Gel Pen\u201d lyrics, which she describes as \u201cfrivolous, carefree, bouncy, syncopated perfectly to the beat\u201d and like \u201cthe drunk girl at the party who tells you that you look like an Angel in the bathroom\u201d. <\/span><\/p>\n<p><span style=\"font-weight: 400\">The first two styles of lyrics heavily reference poets, which could partially be the inspiration for the album name. \u201c\u2018Quill\u2019 style if the words and phrasings are antiquated, if I was inspired to write it after reading Charlotte Bront\u00eb or after watching a movie where everyone is wearing poet shirts and corsets,\u201d she said. \u201c\u2018Fountain pen\u2019 style means a modern storyline or references, with a poetic twist. The songs I categorise in this style sound like confessions scribbled and sealed in an envelope, but too brutally honest to ever send.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\"> In <\/span><i><span style=\"font-weight: 400\">TTPD, <\/span><\/i><span style=\"font-weight: 400\">Swift paints herself as a modern poet and finally delivers the heartless truth, literally dubbing herself \u2018The Chairman\u2019 of this group of tormented writers. So, what does Alwyn have to do with it? As Swifties uncovered, Alwyn admitted that he and Paul Mescal, who both achieved mainstream success for their portrayal of Sally Rooney characters, share a group chat called the \u201cTortured Man Club\u201d. The theory that Swift overtly referenced Alwyn in the title led someone from his camp to issue a statement to the press explaining his stance on the release. <\/span><\/p>\n<p><span style=\"font-weight: 400\">According to a <a href=\"https:\/\/www.dailymail.co.uk\/tvshowbiz\/article-13047929\/joe-alwyn-fears-taylor-swift-album-tortured-poets-department.html\" target=\"_blank\">source<\/a>, Alwyn felt \u201cit would be &#8216;shady&#8217; for her to &#8216;diss&#8217; him in any way given that he&#8217;s remained so stoically silent about their split\u201d. \u201c&#8217;She writes about her past using code and points of reference. It may just be that she is reflecting on their time together and he is hoping it is nothing more,\u201d they added.\u00a0<\/span><\/p>\n<figure id=\"attachment_182588\" aria-describedby=\"caption-attachment-182588\" style=\"width: 961px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-182588\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2020\/12\/GettyImages-1128835856.jpg\" alt=\"\" width=\"961\" height=\"1441\" \/><figcaption id=\"caption-attachment-182588\" class=\"wp-caption-text\">LONDON, ENGLAND &#8211; FEBRUARY 10: Taylor Swift and Joe Alwyn seen attending the Vogue BAFTA party at Annabel&#8217;s club in Mayfair on February 10, 2019 in London, England. (Photo by GOR\/GC Images)<\/figcaption><\/figure>\n<p>Yet, with lyrics of the titular song seemingly referencing Boygenius member Lucy Daucus and her producer Jack Antonoff, fans have deduced that the lover she&#8217;s referencing in the song is Matty Healy instead, but more on that later.<\/p>\n<p><strong><i>2. The<\/i> <i>Tortured Poet Department<\/i> Release Date<\/strong><\/p>\n<p><span style=\"font-weight: 400\">Swift is a believer in numerology. She waxed lyrical about her love of the number \u201813\u2019 and the numbers \u201889\u2019 and \u201887\u2019 even serve as an <a href=\"https:\/\/graziamagazine.com\/articles\/taylor-swift-travis-kelce-invisible-strings\/\">\u201cinvisible string\u201d<\/a> tying her to Kansas City Chiefs tight end, <a href=\"https:\/\/graziamagazine.com\/articles\/how-taylor-swift-travis-kelce-met\/\">Travis Kelce<\/a>. Swifties believe April 19, the day of <\/span><i><span style=\"font-weight: 400\">TTPD\u2019s <\/span><\/i><span style=\"font-weight: 400\">release, holds significance as that was the day Swift, Blake Lively and Ryan Reynold all went out to dinner and immediately unfollowed Alwyn on Instagram. As we know, Swift doesn\u2019t deal with coincidences, so her decision to release the album a year to the day after this canon event in Swift-ory is telling.\u00a0<\/span><\/p>\n<p><strong><i>3. The<\/i> <i>Tortured Poet Department\u2019s <\/i>Black and White Colour Palette\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400\">Swift associates a colour to every album she releases to help paint the world she\u2019s creating through her songs. <\/span><i><span style=\"font-weight: 400\">TTPD\u2019s <\/span><\/i><span style=\"font-weight: 400\">scheme is black and white, which she embodied with the custom <a href=\"https:\/\/graziamagazine.com\/articles\/schiaparelli-spring-summer-2024-show\/\">Schiaparelli<\/a> gown she <a href=\"https:\/\/graziamagazine.com\/articles\/grammys-2024-taylor-swift\/\">wore to the 66th Grammys<\/a>. Black was also used for her <a href=\"https:\/\/graziamagazine.com\/articles\/taylor-swift-reputation-easter-egg-outfits\/\">revenge-inspired <\/a><\/span><a href=\"https:\/\/graziamagazine.com\/articles\/taylor-swift-reputation-easter-egg-outfits\/\"><i><span style=\"font-weight: 400\">Reputation <\/span><\/i><\/a><span style=\"font-weight: 400\"><a href=\"https:\/\/graziamagazine.com\/articles\/taylor-swift-reputation-easter-egg-outfits\/\">album<\/a>, causing fans to believe they are sister albums. <\/span><i><span style=\"font-weight: 400\">Reputation <\/span><\/i><span style=\"font-weight: 400\">was written during the early stages of <a href=\"https:\/\/graziamagazine.com\/articles\/taylor-swift-joe-alwyn-breakup-song\/\">Swift\u2019s relationship with Alwyn<\/a>, and with <\/span><i><span style=\"font-weight: 400\">The Tortured Poet Department<\/span><\/i><span style=\"font-weight: 400\"> documenting the end of their love story, this circular notion could be correct. <\/span><\/p>\n<p><span style=\"font-weight: 400\">I<\/span><span style=\"font-weight: 400\">t\u2019s also worth noting that Swift used the re-recording of <\/span><i><span style=\"font-weight: 400\">Reputation <\/span><\/i><span style=\"font-weight: 400\">as a red herring to misguide fans before surprising them with <\/span><i><span style=\"font-weight: 400\">TTPD<\/span><\/i><span style=\"font-weight: 400\">. Swifties believed that <\/span><i><span style=\"font-weight: 400\">Reputation <\/span><\/i><span style=\"font-weight: 400\">would be the next album to undergo the re-recording treatment as the announcement for<\/span><i><span style=\"font-weight: 400\"> TTPD\u2019s <\/span><\/i><span style=\"font-weight: 400\">coincided with the sixth anniversary of <\/span><i><span style=\"font-weight: 400\">Reputation<\/span><\/i><span style=\"font-weight: 400\">. Six years is also called out in the <\/span><i><span style=\"font-weight: 400\"><a href=\"https:\/\/graziamagazine.com\/articles\/taylor-swift-joe-alwyn-midnights-album\/\">Midnights<\/a>\u2019 <\/span><\/i><span style=\"font-weight: 400\">track \u201cGlitch\u201d where Swift sings, \u201cIt&#8217;s been two thousand one hundred and 90 days of our love blackout\u201d. As Swift mentions a breakup, the specific focus on this period could also be interpreted as referencing the six years she and Alywn dated.\u00a0<\/span><\/p>\n<figure id=\"attachment_251319\" aria-describedby=\"caption-attachment-251319\" style=\"width: 1440px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-251319\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/04\/TTPD-Album.jpg\" alt=\"TTPD-Album\" width=\"1440\" height=\"1800\" \/><figcaption id=\"caption-attachment-251319\" class=\"wp-caption-text\">An alternative album cover for <em>The Tortured Poets Department<\/em>. Credit: <a href=\"https:\/\/www.instagram.com\/p\/C57c1DWMkf_\/?img_index=4\" target=\"_blank\">Instagram\/@taylorswift<\/a><\/figcaption><\/figure>\n<p><strong>4. \u201cClara Bow\u201d from <i>The Tortured Poets Department<\/i><\/strong><\/p>\n<p><span style=\"font-weight: 400\">Along the lines of numerology, Swift lists her tracks in a very specific order. As fans are aware, Swift puts \u201ca very vulnerable, personal, honest, emotional song\u201d as the fifth track. (<\/span><i><span style=\"font-weight: 400\">TTPD\u2019s <\/span><\/i><span style=\"font-weight: 400\">is \u201cSo Long, London\u201d, if you were curious.) However, there is a lot of subtext to be deciphered in the final, sixteenth track, \u201cClara Bow\u201d. Bow is a famous actress from the 1920s and the original \u2018It\u2019 girl. Her performance in the film <\/span><i><span style=\"font-weight: 400\">It <\/span><\/i><span style=\"font-weight: 400\">was the impetus for this phrase to be coined and bestowed onto a society woman with a noteworthy quality. <\/span><\/p>\n<p><span style=\"font-weight: 400\">The easiest read of the song title choice is that Swift feels a kindred spirit in Bow. But fans have discovered a lot of references to the actress in Swift\u2019s entire body of work. Firstly, Bow\u2019s star on the Hollywood Walk of Fame is located on the corner of Sunset Boulevard and Vine Street\u2014a <a href=\"https:\/\/graziamagazine.com\/us\/articles\/taylor-swift-spotted-on-a-night-out-amid-joe-alwyn-split\/\">location<\/a> she names on the <\/span><i><span style=\"font-weight: 400\">Reputation <\/span><\/i><span style=\"font-weight: 400\">single \u201cGorgeous\u201d. (\u201cWhisky on ice, Sunset and Vine \/ You&#8217;ve ruined my life, by not being mine\u201d). <\/span><\/p>\n<p><span style=\"font-weight: 400\">Fans have also uncovered a poem (!) called \u201cWhen Battling Bill of the Bowery Fell for Clara Bow\u201d. As we know, William Bowery was the pseudonym Joe Alwyn wrote under when collaborating with Swift on songs for Swift\u2019s <\/span><i><span style=\"font-weight: 400\">Folklore <\/span><\/i><span style=\"font-weight: 400\">and <\/span><i><span style=\"font-weight: 400\">Evermore <\/span><\/i><span style=\"font-weight: 400\">albums. (Interestingly, Alwyn also has a writing credit on \u201cGorgeous\u201d). Bow also visits Coney Island in <\/span><i><span style=\"font-weight: 400\">It<\/span><\/i><span style=\"font-weight: 400\">. Swift titled her ninth song from <\/span><i><span style=\"font-weight: 400\">Evermore <\/span><\/i><span style=\"font-weight: 400\">\u201cConey Island\u201d. Clearly, Bow is Swift\u2019s muse. Now, she\u2019s been immortalised in her song canon.\u00a0<\/span><\/p>\n<p><strong>5. \u201cThe Albatross\u201d from <i>The Tortured Poets Department<\/i><\/strong><\/p>\n<p><span style=\"font-weight: 400\">Swift announced the bonus track \u201cThe Albatross\u201d during her first night of the <a href=\"https:\/\/graziamagazine.com\/articles\/taylor-swift-eras-tour-australia-tickets\/\">Eras Tour<\/a> in <a href=\"https:\/\/graziamagazine.com\/articles\/travis-kelce-taylor-swift-sydney-visit\/\">Sydney<\/a>. Continuing the six year motif, fans have deduced the song title is in reference to the six years the bird spends flying uninterruptedly at sea. Is Swift bracing herself to land? Maybe.\u00a0<\/span><\/p>\n<figure id=\"attachment_251317\" aria-describedby=\"caption-attachment-251317\" style=\"width: 1440px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-251317 size-full\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/04\/TTPD-Album-Reference.jpg\" alt=\"\" width=\"1440\" height=\"1800\" \/><figcaption id=\"caption-attachment-251317\" class=\"wp-caption-text\"><em>The Tortured Poets Department<\/em>. Credit: Instagram\/@taylorswift<\/figcaption><\/figure>\n<p><strong>6. \u201cThe Black Dog\u201d from <i>The Tortured Poets Department<\/i><\/strong><\/p>\n<p>Swift&#8217;s 17th song is a track titled &#8220;The Black Dog&#8221;. The name isn&#8217;t a metaphorical reference to the &#8216;Black Dog&#8217; littered throughout folklore, but rather a pub in South London. In the single, she laments how her ex-lover casually frequents the pub they used to visit with his new girlfriend, much to her confusion as he doesn&#8217;t care about the memories they shared there. She also calls out the 2000s emo band, The Starting Line, whom Healy has previously covered during sets with his Manchester-founded band, The 1975.<\/p>\n<p>Chatter around the song even prompted the pub itself to weigh in on the conversation. In a TikTok, the venue joked how they were trawling through their CCTV to the last time The Starting Line played to gauge if Healy or Alwyn were in attendance. More to come on this.<\/p>\n<p>Swift seemingly spends most of\u00a0<em>TTPD\u00a0<\/em>discussing her fling with Healy rather than her six-year relationship with Alwyn, as expected. In &#8220;Fresh Out The Slammer&#8221;, Swift hints at how their short-lived tryst stemmed from Healy being her &#8220;first call&#8221; after she got out of the long-term romance.<\/p>\n<p>\u201cI Can Fix Him (No Really I Can)\u201d is also a subtle nod to how The 1975 styles their song titles, referencing the parentheses that feature across their body of work.<\/p>\n<p>Did Swift use TTPD to confess to having a secret 10-year situationship with Healy? Perhaps. But as she shared when announcing the album, &#8220;this period of the author\u2019s life is now over, the chapter closed and boarded up.&#8221;<\/p>\n<figure id=\"attachment_251359\" aria-describedby=\"caption-attachment-251359\" style=\"width: 1707px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-251359\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/04\/Matty-Healy-Taylor-Swift-scaled.jpg\" alt=\"Matty-Healy-Taylor-Swift\" width=\"1707\" height=\"2560\" \/><figcaption id=\"caption-attachment-251359\" class=\"wp-caption-text\">NEW YORK, NEW YORK &#8211; MAY 16: Taylor Swift and Matty Healy seen leaving &#8216;The Electric Lady&#8217; studio in Manhattan on May 16, 2023 in New York City. (Photo by Robert Kamau\/GC Images)<\/figcaption><\/figure>\n<p><strong>7. \u201cthanK you aIMee\u201d from <i>The Tortured Poets Department<\/i><\/strong><\/p>\n<p>On &#8220;thanK you aIMee&#8221;, Swift seemingly gives herself space to close another chapter of her life: her feud with Kim Kardashian. The conflict between the\u00a0<em>SKIMS <\/em>founder and her ex-husband Kanye West has always been the thorn in Swift&#8217;s side. While this began back in 2009 when West stole Swift&#8217;s microphone to denounce her VMA win, it reached fever pitch when Kardashian leaked a private phone call seemingly proving Swift not only was aware of, but approved West&#8217;s lyric calling her a &#8220;b****&#8221; in <em>The Life of Pablo\u00a0<\/em>track &#8220;Famous&#8221;.<\/p>\n<p>The backlash prompted Swift to take herself into hiding. She relocated to London and reportedly didn&#8217;t leave the house for a year. Yet, after meeting and falling in love with Alwyn, she began to chart her return to the zeitgeist, cultivating with the release of her scornful album, <em>Reputation.\u00a0<\/em>On\u00a0<em>TTPD<\/em>, Swift paints a different point of view\u2014one of respect and gratitude for Kardashian. Swift sings that despite &#8216;Aimee&#8217; being a bully, she&#8217;ll never forget the lessons she took from the fight.<\/p>\n<p>&#8220;I wrote a thousand songs that you find uncool \/ I built a legacy that you can&#8217;t undo \/But when I count the scars, there&#8217;s a moment of truth \/That there wouldn&#8217;t be this if there hadn&#8217;t been you,&#8221; Swift sings in the bridge.<\/p>\n<p>Swift previously spoke out about the impact of the feud in her 2023 &#8216;Person of the Year&#8217; cover with <em>TIME<\/em> Magazine. \u201cMake no mistake\u2014my career was taken away from me,&#8221; Swift said. &#8220;You have a fully manufactured frame job, in an illegally recorded phone call, which Kim Kardashian edited and then put out to say to everyone that I was a liar,&#8221; she added.<\/p>\n<p>&#8220;That took me down psychologically to a place I\u2019ve never been before. I moved to a foreign country. I didn\u2019t leave a rental house for a year. I was afraid to get on phone calls. I pushed away most people in my life because I didn\u2019t trust anyone anymore. I went down really, really hard.\u201d<\/p>\n<p><strong style=\"color: #000000;font-family: BrandonGrotesque;font-size: 14px;text-transform: uppercase\"><span class=\"call-to-action-style\"><em>The Tortured Poets Department<\/em> is available to stream on all platforms, with physical vinyl and CDs in store now.<\/span><\/strong><\/p>\n","protected":false},"author":42674,"featured_media":89949,"template":"","format":"standard","categories":[23,38,3292,16],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Tortured Poets Department: Every Easter Egg In Taylor Swift Album<\/title>\n<meta name=\"description\" content=\"A comprehensive breakdown of every Easter Egg and cryptic lyric in Taylor Swift&#039;s album, The Tortured Poets Department.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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