{"id":86351,"date":"2024-01-30T14:31:24","date_gmt":"2024-01-30T03:31:24","guid":{"rendered":"https:\/\/graziamagazine.com\/?post_type=articles&#038;p=246337"},"modified":"2024-02-05T05:44:25","modified_gmt":"2024-02-05T05:44:25","slug":"jacquemus-spring-summer-2024-show","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/jacquemus-spring-summer-2024-show\/","title":{"rendered":"Fluid Form: Jacquemus Subverts Shape &amp; Structure With \u2018Les Sculptures\u2019"},"content":{"rendered":"<figure id=\"attachment_246341\" aria-describedby=\"caption-attachment-246341\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246341\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/GettyImages-1971151080.jpg\" alt=\"Jacquemus-ss24\" width=\"1024\" height=\"681\" \/><figcaption id=\"caption-attachment-246341\" class=\"wp-caption-text\">SAINT-PAUL-DE-VENCE, FRANCE &#8211; JANUARY 29: Gigi Hadid walks the runway during the &#8220;Les Sculptures&#8221; Jacquemus&#8217; Fashion Show at Fondation Maeght on January 29, 2024 in Saint-Paul-De-Vence, France. (Photo by Stephane Cardinale &#8211; Corbis\/Corbis via Getty Images)<\/figcaption><\/figure>\n<p>One thing we can always anticipate from a Jacquemus show is a <a href=\"https:\/\/graziamagazine.com\/articles\/the-maker-of-dreams-simon-porte-jacquemus-delivers-a-10-year-anniversary-show-to-remember\/\">stellar location<\/a>, usually one that is close to creative director Simon Porte Jacquemus&#8217; inspirations. For his latest season, titled &#8216;Les Sculptures&#8217;, it was La Foundation Maeght, an art gallery overlooking Saint-Paul de Vence in the south of France, which houses a collection of sculptures by Swiss artist <a href=\"https:\/\/en.wikipedia.org\/wiki\/Alberto_Giacometti\" target=\"_blank\">Alberto Giacometti<\/a>.<\/p>\n<p>Opening the show was Gigi Hadid clad in a buttery leather coat with curved cocoon sleeves and a gaping scoop neckline that we never see on outerwear. This silhouette would reappear in various formats throughout, infusing an <a href=\"https:\/\/graziamagazine.com\/articles\/80s-fashion-icons-and-how-to-steal-their-80s-style-trend-2016\/\">&#8217;80s<\/a>, <em>Working Girl<\/em>-like element to the collection, along with pencil skirts, <a href=\"https:\/\/graziamagazine.com\/articles\/the-curious-timing-of-fashions-recurring-power-shoulders\/\">power shoulders<\/a>, leopard print, pointed pumps, boxy accessories and side-swept bombshell hair.<\/p>\n<p>Skin was less prevalent than we&#8217;re used to from Jacquemeus, but what he held back on with his signature cut-outs, he made up for with intriguing crops and slinky silhouettes\u2014a sign the designer is continuing to mature his aesthetic but not giving up the sex appeal anytime soon.\u00a0And anything that wasn&#8217;t lightly clinging to the skin was soft structured. On the more experimental side, curved appendages sat like crowns atop waistbands, and the closing bridal look featured a dramatic square bodice.<\/p>\n<p>Bathed in warm sunshine and shrowded in lush landscaping, elements of the show&#8217;s setting found their way into the collection. Whether it was the prismatic tiles that were emulated on a black sweater or the fluid forms and prominent shoulders of Giacometti&#8217;s sculptures that seemed to inspire some bodycon looks, the locale was symbiotic to the clothes.<\/p>\n<p>Once again, Jacquemus succeeded in balancing the demands of his ardent commercial fans while proving himself to be a designer of intellect and creative passion. What he ultimately delivered was a high-impact, season-less collection that was conceptually rich but didn&#8217;t take itself too seriously\u2014much like the designer himself.<\/p>\n<figure id=\"attachment_246349\" aria-describedby=\"caption-attachment-246349\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246349\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/Jacquemus1.jpg\" alt=\"Jacquemus\" width=\"1024\" height=\"1280\" \/><figcaption id=\"caption-attachment-246349\" class=\"wp-caption-text\">&#8216;Les Sculptures&#8217; via <a href=\"https:\/\/www.instagram.com\/jacquemus\/\" target=\"_blank\">Instagram.com\/Jacquemus<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_246348\" aria-describedby=\"caption-attachment-246348\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246348\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/Jacquemus3.jpg\" alt=\"\" width=\"1024\" height=\"1280\" \/><figcaption id=\"caption-attachment-246348\" class=\"wp-caption-text\">&#8216;Les Sculptures&#8217; via <a href=\"https:\/\/www.instagram.com\/jacquemus\/\" target=\"_blank\">Instagram.com\/Jacquemus<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_246347\" aria-describedby=\"caption-attachment-246347\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246347\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/Jacquemus4.jpg\" alt=\"Jacquemus\" width=\"1024\" height=\"1280\" \/><figcaption id=\"caption-attachment-246347\" class=\"wp-caption-text\">&#8216;Les Sculptures&#8217; via <a href=\"https:\/\/www.instagram.com\/jacquemus\/\" target=\"_blank\">Instagram.com\/Jacquemus<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_246346\" aria-describedby=\"caption-attachment-246346\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246346\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/Jacquemus5.jpg\" alt=\"\" width=\"1024\" height=\"1280\" \/><figcaption id=\"caption-attachment-246346\" class=\"wp-caption-text\">&#8216;Les Sculptures&#8217; via <a href=\"https:\/\/www.instagram.com\/jacquemus\/\" target=\"_blank\">Instagram.com\/Jacquemus<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_246344\" aria-describedby=\"caption-attachment-246344\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246344\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/Jacquemus6.jpg\" alt=\"Jacquemus\" width=\"1024\" height=\"1280\" \/><figcaption id=\"caption-attachment-246344\" class=\"wp-caption-text\">&#8216;Les Sculptures&#8217; via <a href=\"https:\/\/www.instagram.com\/jacquemus\/\" target=\"_blank\">Instagram.com\/Jacquemus<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_246343\" aria-describedby=\"caption-attachment-246343\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246343\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/Jacquemus7.jpg\" alt=\"\" width=\"1024\" height=\"1280\" \/><figcaption id=\"caption-attachment-246343\" class=\"wp-caption-text\">&#8216;Les Sculptures&#8217; via <a href=\"https:\/\/www.instagram.com\/jacquemus\/\" target=\"_blank\">Instagram.com\/Jacquemus<\/a><\/figcaption><\/figure>\n<figure id=\"attachment_246342\" aria-describedby=\"caption-attachment-246342\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-246342\" src=\"https:\/\/graziamagazine.com\/wp-content\/uploads\/2024\/01\/Jacquemus8.jpg\" alt=\"Jacquemus\" width=\"1024\" height=\"1280\" \/><figcaption id=\"caption-attachment-246342\" class=\"wp-caption-text\">&#8216;Les Sculptures&#8217;<\/figcaption><\/figure>\n","protected":false},"author":42672,"featured_media":86352,"template":"","format":"standard","categories":[17,16],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Jacquemus &#039;Les Sculptures&#039; Spring\/Summer 2024 Show<\/title>\n<meta name=\"description\" content=\"Jacquemus took note from La Foundation Maeght, delivering a high-impact take on quiet luxury inspired by art and form.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/us\/articles\/jacquemus-spring-summer-2024-show\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fluid Form: Jacquemus Subverts Shape &amp; 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