{"id":47211,"date":"2022-01-14T17:01:57","date_gmt":"2022-01-14T17:01:57","guid":{"rendered":"https:\/\/graziamagazine.com\/us\/?post_type=articles&#038;p=47211"},"modified":"2022-01-14T17:06:39","modified_gmt":"2022-01-14T17:06:39","slug":"essential-shakespeare-films-macbeth","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/essential-shakespeare-films-macbeth\/","title":{"rendered":"14 Essential Shakespeare Films To Watch In 2022"},"content":{"rendered":"<figure id=\"attachment_47217\" aria-describedby=\"caption-attachment-47217\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-47217\" src=\"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2022\/01\/The_Tragedy_of_Macbeth_Photo_0103-e1642178785776.jpg?w=1024\" alt=\"Denzel Washington in Joel Cohen's The Tragedy of Macbeth\" width=\"1024\" height=\"576\" \/><figcaption id=\"caption-attachment-47217\" class=\"wp-caption-text\">Denzel Washington in Joel Cohen&#8217;s <i>The Tragedy of Macbeth<\/i> (Photo: courtesy of AppleTV+)<\/figcaption><\/figure>\n<p>By the pricking of my thumbs, Joel Cohen\u2019s <em>The Tragedy of Macbeth<\/em> this way comes! The acclaimed director\u2019s stunning black and white adaptation of \u201cthe Scottish play\u201d arrives on AppleTV+ today with knockout performances by Denzel Washington and <a href=\"https:\/\/graziamagazine.com\/us\/articles\/best-actress-frances-mcdormand-oscars-2021\/\">Frances McDormand<\/a> as the doomed lord and his scheming wife, and an impressionistic atmosphere, like a half-remembered dream.<\/p>\n<p>Of course, this impressive film is just the latest in a long history of film versions of Shakespeare\u2019s plays stretching all the way back to the dawn of movie making. The Bard is, after all, perennial. We never seem to tire of either the straight-forward adaptations or the looser takes inspired by his plays. But Shakespeare seems to be more present in the cultural imagination than usual recently. On a <a href=\"https:\/\/www.theringer.com\/2022\/1\/13\/22881663\/station-eleven-final-thoughts\" target=\"_blank\">recent episode<\/a> of <em>The Ringer<\/em>\u2019s \u201cPrestige TV Podcast,\u201d Sean Fennessey suggested that might have something to do with the pandemic and all the sort of general sense in the popular imagination that Shakespeare wrote some of his most enduring work as the bubonic plague swept through England in the early 1600s.<\/p>\n<p>Whatever the cause of Shakespeare\u2019s latest <em>moment<\/em>, it\u2019s undeniable that many of the best, most talked-about pop culture of the past year owes something to his plays. These six in particular seem especially relevant:<\/p>\n<p><iframe loading=\"lazy\" title=\"The Tragedy of Macbeth | Official Trailer HD | A24\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/HM3hsVrBMA4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h5><strong>Macbeth<\/strong><\/h5>\n<p>Obviously, we have to start with the triumphant <em>The Tragedy of Macbeth<\/em>. As noted above, Joel Cohen\u2019s solo directorial debut (this is the first film he\u2019s helmed without his brother Ethan) is a visceral experience. Washington and McDormand are tremendous, of course, but for me, any <em>Macbeth<\/em> lives and dies by its witches. This latest version features one hell of a creepy performance by British actor Kathryn Hunter as all three. Her smoke scarred voice and the way she twists her bony body to mimic the physicality of a vulture are truly haunting. By contrast, Justin Kurzel\u2019s earthier 2015 adaptation of the play (streaming on HBO Max), downplays the trio somewhat. Still, the film is ravishing and brutal, and Michael Fassbender and <a href=\"https:\/\/graziamagazine.com\/us\/articles\/marion-cotillard-chanel-cannes-film-festival\/\">Marion Cotillard<\/a> are captivating as Macbeth and his lady. But if we\u2019re talking witches, for my money, the weirdest, most memorable interpretation, for me at least, comes courtesy of the 2010 version starring Patrick Stewart that aired as part of PBS\u2019s <em>Great Performances<\/em> (streaming on PBS Passport and available to rent on Amazon Prime). Polly Frame, Sophie Hunter and Niamh McGrady are deliriously unhinged, performing the witches\u2019 famous incantations at break-neck, manic speed. It\u2019s a terrifying hoot!<\/p>\n<p><iframe loading=\"lazy\" title=\"King Lear - Official Trailer | Prime Video\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ETNWHHczj1w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h5><strong>King Lear<\/strong><\/h5>\n<p>If you\u2019re a <a href=\"https:\/\/graziamagazine.com\/us\/articles\/succession-season-finale-questions\/\"><em>Succession<\/em><\/a> fan, you owe it to yourself to see <em>King Lear<\/em>. The award-winning HBO drama borrows heavily from Shakespeare\u2019s tragedy about an aged king struggling to handover his empire to his scheming children. Set in 21st Century London, director Richard Eyre\u2019s 2018 version (streaming on Amazon Prime) has a particularly <em>Succession<\/em> kind of vibe, with the great <a href=\"https:\/\/graziamagazine.com\/us\/articles\/anthony-hopkins-chadwick-boseman-oscars\/\">Anthony Hopkins<\/a> playing Lear and the powerhouse trifecta of Emma Thompson, Emily Watson and <a href=\"https:\/\/graziamagazine.com\/us\/articles\/florence-pugh-best-outfits-2021\/\">Florence Pugh<\/a> burning up the screen as his icily stylish daughters.<\/p>\n<p><iframe loading=\"lazy\" title=\"Romeo and Juliet 1996 trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/4VBsi0VxiLg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h5><strong>Romeo and Juliet<\/strong><\/h5>\n<p>You can\u2019t do a list of Shakespeare films without including <em>Romeo and Juliet<\/em>. These star-crossed lovers never really go out of fashion, but they\u2019re newly relevant thanks to Steven Spielberg\u2019s recent adaptation of <a href=\"https:\/\/graziamagazine.com\/us\/articles\/west-side-story-and-being-the-ricardos-fashion-transports-us-back-to-the-1950s\/\"><em>West Side Story<\/em><\/a>, itself a riff on <em>Romeo and Juliet<\/em> set in 1950s Hell\u2019s Kitchen. Franco Zeffirelli\u2019s Oscar-winning 1968 version may be the gold standard, but for a certain generation, Baz Luhrmann\u2019s wild<em> Romeo + Juliet<\/em>, with its music video editing and soundtrack and heartthrob stars and angel wings and Hawaiian shirts, is the essential version. You\u2019ll get no argument from me there, but I am going to beat the drum for a smaller, slightly looser adaptation. <em>Private Romeo<\/em> (2011) retains much of the play\u2019s original language, but queers it by setting the action in a contemporary all-male military academy. Fun fact: it also features and early performance by future <em>Russian Doll<\/em> star Charlie Barnett.<\/p>\n<p><iframe loading=\"lazy\" title=\"Hamlet (1996) trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TUN3_yAOUNo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h5><strong>Hamlet<\/strong><\/h5>\n<p>I imagine anyone who enjoyed HBO Max\u2019s <em>Station Eleven <\/em>is probably a little <em>Hamlet <\/em>curious now. I say start with <a href=\"https:\/\/graziamagazine.com\/us\/articles\/belfast-review-jamie-dornan-kenneth-branagh-oscar\/\">Kenneth Branagh<\/a>\u2019s sumptuous Oscar nominated 1996 version. Then check out the grimmer 1990 film directed by Franco Zeffirelli, but more for Glenn Close as Gertrude and the goddess Helena Bonham Carter as Ophelia. There\u2019s also a slightly misbegotten 2000 version starring Ethan Hawke. Set in contemporary New York, it really may as well have been called <em>Hamlet 2000<\/em>. Still, it\u2019s an interesting oddity.<\/p>\n<p><iframe loading=\"lazy\" title=\"National Theatre Live: A Midsummer Night&#039;s Dream | Official Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CK03N-wKOTk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h5><strong>A Midsummer Night\u2019s Dream<\/strong><\/h5>\n<p>Not that anyone ever <em>needs <\/em>a reason to see <em>A Midsummer Night\u2019s Dream<\/em>, but here are two: Shakespeare\u2019s magical romantic farce is actually the play performed by the Traveling Symphony in the <a href=\"https:\/\/graziamagazine.com\/us\/articles\/hbo-maxs-station-eleven-is-fantastic-but-can-you-handle-it\/\"><em>Station Eleven<\/em><\/a> the novel, not <em>Hamlet<\/em>. So, if you\u2019ve reading the book after watching the series, you may as well revisit <em>A Midsummer Night\u2019s Dream <\/em>as well. Also, with Netflix\u2019s highly anticipated adaptation of <em>The Sandman<\/em> coming this year, it\u2019s worth getting familiar with the play, as it and its characters play not-insignificant roles in the comic books on which the show is based. So, for screen adaptations, there\u2019s the serviceable 1999 version (rent it on Amazon Prime) which transposes the play to the 19th century and stars the divine Michelle Pfeiffer as Titania, queen of the faeries. There\u2019s also an intriguing contemporary take from 2017 that takes place in Hollywood, with the ill-fated lovers (Lily Rabe, Rachael Leigh Cook, Hamish Linklater, Finn Wittrock) as creatures of the industry and the faeries as surfing, meditating hippies. My personal fave, however, is London\u2019s National Theatre production (stream or rent it via <a href=\"https:\/\/www.ntathome.com\/\" target=\"_blank\">National at Home<\/a>), which switches the roles of Titania (<a href=\"https:\/\/graziamagazine.com\/us\/articles\/house-dragon-game-thrones-hbo\/\"><em>Game of Thrones<\/em><\/a>\u2019s Gwendoline Christie) and Oberon (Oliver Chris), so that the faerie king is the one who finds himself love-struck by a fool with a donkey\u2019s head!<\/p>\n<p><iframe loading=\"lazy\" title=\"The Tempest HD Trailer\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/KOOdxnv4Ik8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<h5><strong>The Tempest<\/strong><\/h5>\n<p>Speaking of <em>The Sandman<\/em>, <em>The Tempest<\/em> is another of Shakespeare\u2019s plays that finds its way into that story\u2014though much later and less significantly than <em>A Midsummer Night\u2019s Dream<\/em>. Julie Taymor\u2019s 2010 film adaptation casts <a href=\"https:\/\/graziamagazine.com\/us\/articles\/helen-mirren-makeup-everyday-lockdown\/\">Helen Mirren<\/a> in the traditionally male role of exiled sorcerer Prospero\u2014Prospera here\u2014giving the Oscar-winning actress a meaty role to dine on. Critics were mixed on the film, but Taymor is a visually daring filmmaker, and I love her visual flights of fancy.<\/p>\n","protected":false},"author":29097,"featured_media":47217,"template":"","format":"standard","categories":[38,3324,16],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>14 Essential Shakespeare Films To Watch In 2022<\/title>\n<meta name=\"description\" content=\"It\u2019s undeniable that many of the best, most talked-about movies and shows of the past year owe at least something to Shakespeare\u2019s plays.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/us\/articles\/essential-shakespeare-films-macbeth\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta 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