{"id":37181,"date":"2021-10-07T03:27:27","date_gmt":"2021-10-07T03:27:27","guid":{"rendered":"https:\/\/graziamagazine.com\/?post_type=articles&p=202764"},"modified":"2021-10-07T16:07:38","modified_gmt":"2021-10-07T16:07:38","slug":"schiaparelli-spring-summer-2022","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/schiaparelli-spring-summer-2022\/","title":{"rendered":"At Schiaparelli, A Surrealist Dreamscape Worthy Of David Lynch"},"content":{"rendered":"
\"Schiaparelli
Image: Daniel Roseberry for Schiaparelli; Courtesy of Schiaparelli<\/figcaption><\/figure>\n

This season, the question of \u2018to runway or not to runway?\u2019 has loomed over fashion month. For Daniel Roseberry at Schiaparelli<\/a>, the answer seemed inevitable. He is, after all, a man who turned the digitally-released lookbook into something of an art form. His collection images, which he often shoots himself, tend to explode all over Instagram in a way few non-runway releases are ever able to. His collections are a celebration of intricate, uncanny detailing, and his high-contrast, super-stylised portraits are often the best way to showcase them.\u00a0<\/span><\/p>\n

For Spring\/Summer 2022, this was true once again. Tapping the photographer Nadia Lee Cohen and models Dilone, Rouguy Faye, and Adesuwa Aighewi to front, Roseberry presented another remarkable collection via lookbook (though in Paris he also opened Schiaparelli\u2019s Place Vend\u00f4me headquarters to show the collection to press in a salon-style setting). Schiaparelli\u2019s heritage is rooted in elevated surrealism, and it\u2019s an archive that Roseberry has relished experimenting with\u2014be it the gold \u2018lung\u2019 necklace Bella Hadid wore as a breastplate to Cannes<\/a>, or the hulking green dress Kim Kardashian wore last Christmas<\/a>.\u00a0<\/span><\/p>\n

This time around he evoked a \u201cDavid Lynch holiday\u201d (his words)\u2014the opening look saw Dilone don a <\/span>Phantom of the Opera<\/span><\/i>-esque mask and a cartoonishly boxy cropped blazer. Then Lee Cohen evoked 70s salon glamour in a resplendent white column gown and silk turban. \u2018Cone bras\u2019 in homage to both Jean Paul Gaultier and arguably his most famous client, Madonna, appeared multiple times, as did umbrella hats, top handle totes with gold lacquer faces, giant oversized puffer coats, and belts made of large gold ears, adorned with large pearl earrings. The whole thing was, as you may have guessed, a rollicking good time\u2014fashion at its most irreverent and unselfconscious. It\u2019s no wonder that Roseberry\u2019s tenure is such a screaming success already (he is set to open a New York City store at Bergdorf’s later this month), he\u2019s a living embodiment of one of Elsa Schiaparelli\u2019s most famous idioms: In difficult times, fashion is always outrageous.\u00a0<\/span><\/p>\n

\"Schiaparelli
Image: Daniel Roseberry for Schiaparelli; Courtesy of Schiaparelli<\/figcaption><\/figure>\n
\"Schiaparelli
Image: Daniel Roseberry for Schiaparelli; Courtesy of Schiaparelli<\/figcaption><\/figure>\n","protected":false},"author":26240,"featured_media":37182,"template":"","format":"standard","categories":[17,16],"yoast_head":"\nAt Schiaparelli, A Surrealist Dreamscape Worthy Of David Lynch<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/us\/articles\/schiaparelli-spring-summer-2022\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"At Schiaparelli, A Surrealist Dreamscape Worthy Of David Lynch\" \/>\n<meta property=\"og:description\" content=\"This season, the question of \u2018to runway or not to runway?\u2019 has loomed over fashion month. For Daniel Roseberry at Schiaparelli, the answer seemed inevitable. 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