{"id":35742,"date":"2021-09-21T16:32:48","date_gmt":"2021-09-21T16:32:48","guid":{"rendered":"https:\/\/graziamagazine.com\/us\/?post_type=articles&p=35742"},"modified":"2021-09-21T16:32:48","modified_gmt":"2021-09-21T16:32:48","slug":"five-questions-for-aaron-tveit","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/five-questions-for-aaron-tveit\/","title":{"rendered":"FIVE QUESTIONS FOR … Aaron Tveit"},"content":{"rendered":"
\"\"
Aaron Tveit attends the 73rd Annual Tony Awards (Photo by Jenny Anderson\/Getty Images for Tony Awards Productions)<\/figcaption><\/figure>\n

Before COVID shut down Broadway, I visited Aaron Tveit in his dressing room at the Al Hirschfeld Theatre where he is once again – now that Broadway has a reopened-\u00a0 starring\u00a0as Christian in the hit musical\u00a0<\/span>Moulin\u00a0Rouge!<\/span><\/i>.\u00a0\u00a0 The show weaves the songs of The Rolling Stones, Madonna, Lady Gaga, Sia, Elton John, Sting, and Adele, among others, into a narrative about bohemian Paris circa 1899.\u00a0 A vintage mid-century photo of Frank Sinatra eerily looking like an early 21st century rapper\u00a0held\u00a0 a\u00a0place of honor that day in\u00a0Tveit\u2019s\u00a0 dressing\u00a0room along with photos of Miles, his beloved labradoodle.\u00a0\u00a0\u00a0<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Because of the shortened Broadway season, Tveit has the distinction of being the only Tony nominee this year – the Tonys are being held on Sunday, September 26th – in the category for Best Performance by a Leading Actor in a Musical.\u00a0\u00a0\u00a0 His predestined Tony win on Sunday will top off quite a year for the 37-year-old Broadway star who has appeared during his career in the musicals\u00a0<\/span>Next to Normal<\/span><\/i>\u00a0and\u00a0<\/span>Catch Me if You Can\u00a0<\/span><\/i>and toured in\u00a0<\/span>Rent<\/span><\/i>\u00a0and\u00a0<\/span>Hairspray<\/span><\/i>. On television, he has appeared in\u00a0<\/span>Gossip Girl<\/span><\/i>,\u00a0<\/span>Graceland<\/span><\/i>,\u00a0<\/span>Braindead<\/span><\/i>, and most recently\u00a0<\/span>Schmigadoon!<\/span><\/i>.\u00a0\u00a0 He was also Danny\u00a0Zucko\u00a0in\u00a0<\/span>Grease: Live<\/span><\/i>\u00a0on Fox and Enjolras in the film adaptation of\u00a0<\/span>Les Mis\u00e9rables<\/span><\/i>.<\/span><\/i>\u00a0<\/span>\u00a0<\/span>\u00a0<\/span>\u00a0<\/span><\/p>\n

Tveit suffered from COVID himself, one of the earliest cases in New York. It was a kind of mirroring of the tuberculosis plot line of\u00a0<\/span>Moulin\u00a0Rouge!<\/span><\/i>.\u00a0\u00a0 Thank God his wasn\u2019t a tragic ending and he\u2019s back on the boards breaking hearts with his soaring ballads and the sweetness he\u2019s found in Christian\u2019s swagger.\u00a0\u00a0\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n

Kevin Sessums:\u00a0 What\u00a0is so interesting\u00a0with\u00a0what you\u2019re doing in\u202fMoulin\u00a0Rouge!,\u00a0Aaron,\u00a0is that in this show that is\u00a0so\u00a0 big\u00a0and busy, you do this\u00a0really smart\u00a0thing.\u00a0 You. Pull. It. All. The. Way. In.\u00a0 You\u00a0are so simple and still in this.\u00a0 And\u00a0\u2013\u00a0forgive me\u00a0\u2013\u00a0rather sweet.\u00a0 I\u00a0don\u2019t want to say you\u2019re Tinkerbell.\u00a0 That\u2019s too f**king twee.\u00a0 But in all this brassy brightness you are this small ray of pure light.\u00a0 Are you aware of\u00a0being\u00a0\u00a0sprite-like almost\u00a0in your portrayal of Christian?\u00a0<\/strong><\/em><\/p>\n

Aaron Tveit:\u00a0 That\u2019s\u00a0amazing that you say that.\u00a0 I thought about this and worked a long time trying to find just that because I always viewed the character of Christian as a stranger in a strange land.\u00a0 He\u2019s Dorothy in Oz. He gets to this place where he\u2019s expecting all his wildest dreams and then it\u2019s more than that.\u00a0 You can\u2019t rise above that.\u00a0\u00a0So\u00a0you kind of\u00a0have to\u00a0be the observer.\u00a0 I think of myself\u00a0as\u00a0the audience\u2019s eyes\u00a0\u2013\u00a0especially since we\u2019ve been open on Broadway.\u202f\u00a0My relationship with the audience is the thing I\u2019ve really worked hard at and to find places where, when all this stuff is going on, that the audience can look\u00a0to\u00a0me to see how to react.\u00a0That\u00a0 relationship\u00a0with the audience is always on my mind.<\/span>\u00a0<\/span><\/p>\n

I\u00a0also\u00a0thought it was\u00a0really interesting\u00a0making Christian American as opposed to English\u00a0\u2013\u00a0as he was in the film\u00a0\u2013\u00a0and what it means to be an American in 1899 from Lima, Ohio, who finds himself in\u00a0bohemian Paris.\u00a0 The history of these things\u00a0fascinate\u00a0me.\u00a0 What does that mean?\u00a0 What does that look like?\u00a0 How did he get there?\u00a0 Because obviously he\u2019s this artistic soul from a place with no artistic soul.\u00a0 Everything is about the railroad and steel and America\u2019s Manifest Destiny and the industrial revolution.\u00a0 I have just always thought that this guy for whatever reason\u00a0\u2013\u00a0maybe his mom was\u00a0singer\u00a0and his dad was telling him he couldn\u2019t be true to himself\u00a0\u2013\u00a0he has this idea and this belief inside himself that there is somewhere\u00a0out there\u00a0where what he feels will make sense.<\/span>\u00a0<\/span><\/p>\n

KS:\u00a0 You\u00a0could\u00a0be\u00a0describing the\u00a0ur-story of young people coming to cities to find themselves in artistic ways.\u00a0 Is that your story?\u00a0<\/strong><\/em><\/p>\n

AT:\u00a0 Yeah, it is. The only difference was for that\u00a0me\u202f\u00a0I\u00a0had both parents saying I could do it. My dad once told me when I was kind of thinking about auditioning for theatre when I was already in college that he had almost moved to Nashville when he was 18 to be a country singer, but he never went.\u00a0\u00a0I knew that my dad had a great voice and was a great singer, but I never knew that.\u00a0 I had no idea.\u202f<\/span>\u00a0<\/span><\/p>\n

\u00a0I started playing the violin when I was four.\u00a0 I was always musical.\u00a0 The first time I remember someone responding to my voice I was in elementary school chorus in fourth or fifth grade and before the concert the chorus teacher told me to sing louder.\u00a0\u00a0 And then it wasn\u2019t until I got to the 9th grade\u00a0and\u202f\u00a0the\u00a0high school chorus at my high school that everyone took notice.\u00a0 The upperclassmen.\u00a0 Everybody.\u202f<\/span>\u00a0<\/span><\/p>\n

I grew up in upstate New York.\u00a0\u00a0It was great.\u00a0 In my head I thought I had the most suburban childhood, but when I look back on\u00a0it\u00a0I think it was fascinating being so close to New York.\u00a0\u00a0I think I had been to every museum in the city by the time I was 15.\u00a0 I\u00a0got\u00a0to see Broadway shows all the time on school trips.<\/span>\u00a0<\/span><\/p>\n

The first Broadway musical I saw was\u00a0<\/span>Jekyll and Hyde<\/span><\/i>.\u00a0 And then I saw\u202f<\/span>Ragtime<\/span><\/i>.<\/span>\u202f\u00a0\u00a0<\/span>I remember being very, very struck the first time Audra McDonald walked onto that stage in\u202f<\/span>Ragtime.<\/span><\/i>\u00a0 Then\u202f<\/span>Les Mis<\/span><\/i>.\u00a0 And when I was a senior in high school when I was really figuring out if I were going to go to school and study business or if I was going to sing, I saw\u202f<\/span>Rent<\/span><\/i>.\u00a0 I was really struck by that because it was the first\u00a0time\u00a0I\u2019d had ever seen any kind of contemporary music onstage.\u00a0 It just had this young sensibility.\u00a0 The other\u00a0stuff\u00a0felt so unattainable.<\/span>\u00a0<\/span><\/p>\n

Two years later\u00a0somehow\u00a0I was doing the show on tour.\u00a0\u00a0\u00a0I loved it.\u00a0 I was 19 turning 20 with\u202f<\/span>Rent<\/span><\/i>\u202fand then 20 turning 21 in\u202f<\/span>Hairspray<\/span><\/i>\u202fon the tours that I did.\u00a0 I mean, I had nothing\u00a0to\u00a0my name besides what was in my suitcase.\u00a0 I was able to see the country that way.\u00a0 I think I\u2019ve been to 48 of the 50 states.\u202f\u00a0 I have never been to\u00a0Alaska. And randomly, I\u2019ve never been to Arkansas.\u00a0 But what a wonderful thing to have experienced.\u00a0 I was a music major for a year at Ithaca College then switched into an acting program, but I didn\u2019t really get cast in anything.\u00a0 But then I got this job as Steve in\u202f<\/span>Rent<\/span><\/i>.\u00a0 And I was the youngest in that company by at least three years.\u00a0 Wait. More like five probably.<\/span>\u202f\u00a0\u00a0<\/span>Just to figure out how to do eight shows a week was an education while I was understudying the two leads Roger and Mark.\u00a0\u202f<\/span>\u00a0<\/span><\/p>\n

KS:\u00a0\u00a0 I always look for the incongruous in art and in life.\u00a0 I\u00a0even\u00a0find\u00a0a sense of\u00a0the\u00a0\u00a0sacred\u00a0there,\u00a0\u00a0Your\u00a0character of Christian\u00a0in\u00a0Moulin Rouge!\u00a0is the incongruous element in the\u00a0narrative of this musical.\u00a0 But there is also the incongruity of the music itself being modern yet being sung in 1899 Paris.\u00a0 How do you navigate that incongruity of the music being of a different time than the setting?\u00a0<\/strong><\/em><\/p>\n

AT:\u00a0 This\u00a0show to me could be done in two parts almost.\u00a0 I look on the first act and the second act as two very different entities. For me the kind of run of the second act for me\u00a0\u2013\u00a0the run of\u202f<\/span>Chandelier<\/span><\/i>,\u202f<\/span>Roxanne<\/span><\/i>,\u202f<\/span>Crazy\/Rolling in the Deep<\/span><\/i>, to the end of the play\u00a0\u2013\u00a0all of\u00a0those pop songs work 100% as a narrative for what my character is going through.\u00a0 So that just made total sense to me.\u00a0 The period stuff doesn\u2019t bother me.\u00a0 Luckily, I have the film in my head and the film messes with the period so much. It\u2019s 1899 Bohemia, but it\u2019s so now.\u00a0 Alex [Timbers, the director of\u202f<\/span>Moulin\u00a0Rouge!<\/span><\/i>] and I talked a lot about\u00a0that\u00a0and he is so wonderful about creating time and place and atmosphere, as\u202f<\/span>Moulin\u00a0Rouge!<\/span><\/i>\u00a0proves as you sit in the theatre experiencing it.\u00a0 He told us all that he would keep us in balance.\u00a0 And he has.\u00a0 I turn that over to him a lot.<\/span>\u00a0<\/span><\/p>\n

I would like to think I am easily directed.\u00a0\u00a0 I have had the benefit of having worked with incredible theatre directors and yet they all direct differently.\u00a0 Alex is very much looking at the big picture, but lets you blossom into the role while keeping you in that balance.\u00a0 Michael Greif, who directed me in\u202f<\/span>Next to Norma<\/span><\/i>l, hands you a\u00a0Post-It\u00a0note with a verb on it.\u00a0 Jack O\u2019Brien, who directed me in\u202f<\/span>Catch Me If You Can,\u202f<\/span><\/i>will say to you,\u00a0<\/span>\u201c<\/span>Okay, say this line.\u00a0 Turn to the audience.\u00a0 Count to three.\u00a0 And turn back.\u201d\u00a0\u00a0And\u00a0all of a sudden\u00a0you get an eruption of\u00a0laughter\u00a0and you wonder how\u00a0did that just happen. I have been able to work with these brilliant, brilliant stage directors and brilliant theatrical minds and they all go about it a different way. I always just try to do my work and show up with an idea of what I would like the scene to be and then just be open to what they think.<\/span>\u00a0<\/span><\/p>\n

It\u2019s\u00a0really interesting\u00a0after 8 years to be back on Broadway and to be remembering what this means to me. Not that I forgot.\u00a0 But this is where my soul lives\u00a0\u2013\u00a0which is onstage.<\/span>\u00a0<\/span><\/p>\n

I\u00a0fell in love with acting on camera and I love working\u00a0in\u00a0television.\u00a0 And the storytelling was so fantastic in the two series on which I was regular\u00a0\u2013\u202f<\/span>Graceland<\/span><\/i>\u202fand\u202f<\/span>Braindead.<\/span><\/i>\u202f<\/span><\/i>\u00a0 I am just lucky and grateful that I have been able to do all of that and I hope that continues. I want to\u00a0do\u00a0more television and more\u00a0film.\u00a0 But I think no matter what, that this\u00a0\u2013\u00a0the theatre\u00a0\u2013\u202f\u00a0will\u00a0always be where I land.\u202f<\/span>\u00a0<\/span><\/p>\n

KS:\u00a0 You\u00a0are very talented, don\u2019t get me wrong.\u00a0 But you hit the ground running very early.\u00a0 You\u2019ve had a career since you were 19.\u00a0 It\u2019s not even luck really.\u00a0 It\u2019s a kind of grace.\u202f\u00a0\u00a0Speaking of grace in your life\u00a0– and the sacred as I did earlier\u00a0–\u00a0\u00a0your\u00a0brother is a Catholic priest.\u00a0 There are just the two of you as siblings in your family.\u00a0\u00a0What that\u2019s like\u00a0– having a priest as a brother?\u00a0\u00a0<\/strong><\/em><\/p>\n

AT:\u00a0 He\u2019s a brilliant, fascinating guy.\u202f\u00a0\u00a0I wasn\u2019t surprised\u00a0that he became a priest.\u00a0\u00a0 We were raised\u00a0Catholic\u00a0and my family always went to church and my parents believe what they believe.\u00a0 They really like the community of it.\u00a0 My dad sang in the choir.\u00a0 But my brother from a young age was just a bit more serious about it. He went to Boston College and studied linguistics and philosophy.\u202f\u00a0\u00a0You know what though\u00a0\u2013\u00a0at first look, it is so different\u00a0– one brother an actor and singer and one brother a priest.\u00a0\u00a0But at the end of the day not so much.\u00a0 We both stand onstage in front of a group of people and lead them through whatever it is they need to be led through.<\/span>\u00a0<\/span><\/p>\n

KS:\u00a0 And\u00a0there is something healing at the heart of each of them.\u00a0\u00a0Are you aware of\u00a0helping\u00a0\u00a0people\u00a0heal\u00a0in your specific ways?\u00a0\u00a0<\/strong><\/em><\/p>\n

AT:\u00a0 Yeah. Exactly.\u00a0 People go to church and people go to the theatre for similar reasons.\u00a0\u00a0<\/span>\u00a0<\/span><\/p>\n","protected":false},"author":29575,"featured_media":35747,"template":"","format":"standard","categories":[23,16],"yoast_head":"\nFIVE QUESTIONS FOR ... 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