{"id":27230,"date":"2021-06-21T19:03:08","date_gmt":"2021-06-21T19:03:08","guid":{"rendered":"https:\/\/graziamagazine.com\/us\/?post_type=articles&p=27230"},"modified":"2021-06-21T23:07:17","modified_gmt":"2021-06-21T23:07:17","slug":"artwork-vol-3","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/artwork-vol-3\/","title":{"rendered":"The Artwork Evoking Our Emotions This Week, Vol.3"},"content":{"rendered":"
\"Artwork-Shadows\"
Justin Mikhail Solomon: Non (Copyright \u00a9 Justin Mikhail Solomon, 2020)<\/figcaption><\/figure>\n

Today is Monday and we don’t know about you guys but we’re having a mean case of the ‘Monday Blues’ \u2014 as we all often do after what seems like a much too short of a weekend (insert eye roll emoji). In this week\u2019s installment of The Artwork Evoking Our Emotions<\/a>, as we’re feeling moody, we\u2019re examining work that plays with shadows \u2014 both figuratively and implied \u2014 as well as light manipulation. Artist manipulate light to evoke form, to add depth, to display figures abstractly and to convey emotion. Image makers and artist have used light \u2014 or the absence of light \u2014 as more than a resource to create depth and dimension but using light as a somewhat of a protagonist or secondary character. Artist like Baroque master Caravaggio, or photographer Fan Ho have long mastered the art of conveying emotion through shadows. From figurative paintings and photography, to light installation, this curated selection of works channels the dark, broody essence that we refers to as Mondays.<\/p>\n

Below we\u2019ve gathered up some\u00a0works of art that play with shadow and light manipulation:<\/p>\n

Gustavo Nazareno<\/a>\u2014gira<\/em><\/h3>\n
\"Artwork-Shadows\"
Gira<\/strong><\/em>, 2020, charcoal on paper. Gustavo Nazareno. Courtesy the artist and Gallery 1957.<\/figcaption><\/figure>\n

Ming Smith\u2014Male Nude<\/em><\/h3>\n
\"Artwork-Shadows\"
‘Male Nude’<\/em><\/strong>, 1977. Ming Smith.<\/figcaption><\/figure>\n

Kerry James Marshall\u2014A Portrait of the Artist as a Shadow of His Former Self<\/em><\/h3>\n
\"Artwork-Shadows\"
‘A Portrait of the Artist as a Shadow of His Former Self,’ \u00a0<\/em><\/strong>1980. Egg tempera on paper. 8 x 6.5 inches. Kerry James Marshall \/ Jack Shainman Gallery, New York.<\/figcaption><\/figure>\n
\n

Kourken Pakchanian\u2014Shadows<\/em><\/h3>\n<\/div>\n
\"Artwork-Shadows\"
Shadows’<\/em><\/strong>, ca. 1970s. Archival pigment print on 100% cotton paper. Kourken Pakchanian.<\/figcaption><\/figure>\n

Justin Mikhail Solomon<\/a>\u2014Things We Carry<\/em><\/h3>\n
\"Artwork-Shadows\"
Things We Carry<\/em><\/strong>, 2019. Archival pigment print. 40 \u00d7 26 1\/2 in. Justin Mikhail Solomon.<\/figcaption><\/figure>\n
\n

Lucja Grodzicka\u2014Shadows<\/i>, 2021<\/span><\/h3>\n<\/div>\n
\"Artwork-Shadow\"
‘Shadows’,<\/strong><\/em> 2021. Oil on canvas 39 2\/5 \u00d7 47 1\/5 in. Lucja Grodzicka.<\/figcaption><\/figure>\n

Hanna Ilczyszyn<\/a>\u2014hot<\/em><\/h3>\n
\"Artwork-Shadows\"
‘Hot’<\/strong> <\/em>, Acrylic on canvas. Hanna Ilczyszyn.<\/figcaption><\/figure>\n

Edward Hopper\u2014night shadows<\/em><\/h3>\n
\"Artwork-Shadows\"
Night Shadows,<\/em><\/strong> 1921. Etching on wove paper. 6.9 x 8.3 in. Edward Hopper.<\/figcaption><\/figure>\n

Kumi Yamashita<\/a>\u2014CHAIR<\/em><\/h3>\n
\"Artwork-Shadows\"
‘CHAIR’<\/em> <\/strong>,2014. Carved wood, single light source, shadow. Kumi Yamashita.<\/figcaption><\/figure>\n

Lynette Yiadom-Boakye\u2014The Stygian Silk<\/em><\/h3>\n
\"Artwork-Shadows\"
‘The Stygian Silk<\/em><\/strong>‘, (2019). Lynette Yiadom-Boakye. Courtesy the Artist, Corvi-Mora, London, and Jack Shainman Gallery, New York.<\/figcaption><\/figure>\n

shikeith<\/a>\u2014the smoke made the night blue\/ I have walked in the rain<\/em><\/h3>\n
\"\"
\u201cthe smoke made the night blue\/ I have walked in the rain\u201d<\/strong><\/em> 2020, Archival Inkjet Print on Canson Infinity Platine, 30 x 36in, Edition of 5<\/figcaption><\/figure>\n
\n

Albert Watson\u2014Cindy Crawford in Shadows<\/i><\/h3>\n<\/div>\n
\"Artwork-shadows\"
‘Cindy Crawford In Shadows’.<\/em><\/strong> 1989. Albert Watson.<\/figcaption><\/figure>\n

Hiroshi Watanabe<\/a>\u2014TDTDC 67 (Shadow Sailor)<\/i><\/h3>\n
\"Artwork-Shadows\"
‘TDTDC 67 (Shadow Sailor)’<\/em><\/strong>, 2009. Archival Pigment Print. 9 \u00d7 9 in. Hiroshi Watanabe.<\/figcaption><\/figure>\n

Kara Walker<\/a>\u2014Shadow puppet from Testimony: Narrative of a Negress Burdened by Good Intentions<\/span><\/em><\/h3>\n
\"Artwork-Shadows\"
Shadow puppet from Testimony: Narrative of a Negress Burdened by Good Intentions<\/em><\/strong>, 2004. Cut black paper with pencil, pressure-sensitive tape, metal fasteners, and synthetic polymer film on paperboard. 20 3\/4 x 15″. Kara Walker.<\/figcaption><\/figure>\n

Still feeling moody? Well it’s almost Tuesday, which means it’s almost the weekend. See you next week for another curated collection of works.<\/p>\n","protected":false},"author":29107,"featured_media":27248,"template":"","format":"standard","categories":[38,16],"yoast_head":"\nThe Artwork Evoking Our Emotions This Week Vol.3<\/title>\n<meta name=\"description\" content=\"Today is\u00a0Monday and we\u00a0don't know about you guys but we're feeling a case of the 'Monday Blues.' 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