{"id":25135,"date":"2021-06-03T08:00:25","date_gmt":"2021-06-03T08:00:25","guid":{"rendered":"https:\/\/graziamagazine.com\/us\/?post_type=articles&p=25135"},"modified":"2021-06-03T18:21:51","modified_gmt":"2021-06-03T18:21:51","slug":"solange-2021-woolmark-prize-film","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/solange-2021-woolmark-prize-film\/","title":{"rendered":"Solange and Saint Heron Partner With The 2021 Woolmark Prize On ‘Passage’"},"content":{"rendered":"
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Group shot of looks from 2021 International Woolmark Prize finalist, LECAVALIER and Matty Bovan. Courtesy of Ibrahem Hasan<\/figcaption><\/figure>\n
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Since its inception, the International Woolmark Prize<\/a> has awarded and incubated some of the most era-defining fashion designers, like Karl Lagerfeld, Yves Saint Laurent, Giorgio Armani, and Ralph Lauren. This year, the International Woolmark Prize has collaborated with multi-disciplinary design studio Saint Heron<\/a> to highlight this years’ finalist. The International Woolmark Prize and Saint Heron Agency present Passage<\/em>, a motion portraiture. Conceptualized by multi-hyphenate artist Solange<\/a> Knowles and directed by esteemed director, Wu Tsang, the film presents the final Woolmark Prize collection looks from designers Bethany Williams<\/a>, Casablanca,<\/a> Kenneth Ize<\/a>, LECAVALIER<\/a>, Matty Bovan<\/a> and Thebe Magugu<\/a>. The film also includes cameos from five-time Grammy award winning artist \u2014 and newly-minted Twitter icon \u2014Dionne Warwick,<\/a> actress and ballroom icon\u00a0Dominique Jackson,<\/a> recording artist\u00a0SahBabii,<\/a> soul legend Joi,<\/a>\u00a0and new emerging multi-instrumentalist and producer KeiyaA.<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Passage<\/em>\u00a0is a poetic, conceptual work that both highlights the designers’ Woolmark capsule collections while also telling a story. It explores the stages of creation: contemplation, courage, optimism, vulnerability, discipline and strength.\u00a0Featuring the masterful work of stylist and DAZED<\/em> Editor-in-chief, Ib Kamara,<\/a> and a moody, free-form jazz original score by Standing on The Corner<\/a>, the film is a stunning holistic feat \u2014 both visually and sonically.<\/p>\n

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GRAZIA<\/em> previewed the film \u2014 as well as corresponding designer images \u2014 ahead of its launch and chatted\u00a0 a bit with a few of the 2021 International Woolmark Prize finalists. Keep reading to learn more about their design inspirations, get into the breathtaking portraits of their work and check out Solange’s<\/a> fashion film, Passage<\/em>.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Solange Knowles. Courtesy of Rafael Rios.<\/figcaption><\/figure>\n
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\u201cIn continuing Saint Heron\u2019s world making practice, \u201cPassage\u201d further explores my interest in theatrical production through the translation of identity, spirit, philosophy and creation. Whether it be through album artwork, stage design, or filmmaking, I’ve always sought to create new visual languages that encompass the expressions my other works cannot communicate. I\u2019m inspired to expand these processes through the Saint Heron Agency with a wider scope of collaborations and projects”<\/h3>\n

\u2014Solange<\/h4>\n

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Kenneth Ize<\/a><\/h3>\n
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Kenneth Ize. Courtesy of Ibrahem Hasan<\/figcaption><\/figure>\n

What does the future of your brand look like?<\/strong><\/p>\n

The future of the Kenneth Ize brand is to become a heritage where we also share our values from our culture and beliefs.<\/em><\/p>\n

How have you stayed creatively-inspired over the past year? What have you looked to for inspiration?<\/b><\/p>\n

Looking at people and hearing their story and being able to look at what happened in the past year inspires you to create a solution. That’s what drives me.<\/em><\/p>\n

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Actress Dominque Jackson in Kenneth Ize. Courtesy of Ibrahem Hasan<\/figcaption><\/figure>\n
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\u201cI\u2019m proud to have been part of this year\u2019s International Woolmark Prize celebration. Saint Heron’s ‘Passage’ sets an artful, visual stage to empower a meditative reflection on fashion’s unique connection to the body, while uplifting the designers’ stories and intentions for their collections. It was exciting to play a role in that conveyance.\u201d<\/h3>\n

\u2014Dominque Jackson<\/h4>\n<\/blockquote>\n<\/div>\n<\/div>\n<\/div>\n

Thebe Magugu<\/a><\/h3>\n
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Thebe Magugu. Courtesy of Ibrahem Hasan<\/figcaption><\/figure>\n

What does the future of your brand look like?<\/b><\/p>\n

I think the roots of the brand\u2019s culture and heritage will continue to deepen, exploring parts of our history and bringing it up into readable ready-to-wear collections. The branches of the brand, I think, will continue to grow into various markets and touch various people. As a goal, I want my brand to be seen as a go-to for beautiful, quality clothes that act as a sort of encyclopaedia for various parts of South African and African culture.<\/em><\/p>\n

How have you stayed creatively inspired over the past year? What have you looked to for inspiration?<\/b><\/p>\n

I have made it a point, especially during lock-down, to read or watch pieces that are thought to be classics. In literature, I have been so inspired by the writings of James Baldwin, whose writing puts our experience as Black people into perspective and focus. Also, all my collections reference south African History so I read a lot of non-fiction works, and have been very into the journalism of Mandy Wiener. With art, I have been looking at the confrontational work of Zizipho Zizipho, Athi-Patra Ruga and Banele Khoza. In music, I have the privilege of watching the growth and success of Shekhina, Una Rams, Bongeziwe Mabandla, Lucille Slade and Muzi. In fashion, my peers like Nao Serati, Mmuso Maxwell, Wanda Lephoto and Rich Mnisi have been doing stellar work. I have inspiration coming out of my ears!<\/em><\/p>\n

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Dionne Warwick in Thebe Magugu. Courtesy of Ibrahem Hasan<\/figcaption><\/figure>\n

LECAVALIER<\/a><\/h3>\n
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LECAVALIER. Courtesy of Ibrahem Hasan<\/figcaption><\/figure>\n

What does the future of your brand look like?<\/b><\/p>\n

Marie-\u00c8ve Lecavalier: It looks bright and full of projects. We really want to become a House that will be specialized in textile development and high hand goods, as well as offering other categories of products that are part of the LECAVALIER world. But for now, I\u2019m really concentrating on building a brand that will be inclusive and able to give back to the community we have here in Montreal and in Europe.\u00a0<\/span><\/em><\/p>\n

How have you stayed creatively inspired over the past year? What have you looked to for inspiration?<\/b><\/p>\n

I\u2019m a really creative person so it\u2019s not too much of a stretch for me. I have a lot of interest in contemporary art and music. I try to stay as open minded as possible to everything, or the daily details that happens around me. My brain is always half in reality and half in fiction so as long as I take care of me and my mind, it can be really productive.<\/em><\/p>\n

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LECAVALIER. Courtesy of Cary Fagen<\/figcaption><\/figure>\n

Watch ‘Passage’ below:<\/h3>\n