{"id":1777,"date":"2020-02-15T17:13:38","date_gmt":"2020-02-15T06:13:38","guid":{"rendered":"https:\/\/graziamagazine.com\/?post_type=articles&p=168232"},"modified":"2021-03-17T18:19:19","modified_gmt":"2021-03-17T18:19:19","slug":"rodarte-nyfw-beauty","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/rodarte-nyfw-beauty\/","title":{"rendered":"The Lady Is A Vamp. Beauty Notes From Backstage Rodarte"},"content":{"rendered":"
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NEW YORK, NEW YORK – FEBRUARY 11: A model walks the runway at the Rodarte Ready to Wear Fall\/Winter 2020-2021 during New York Fashion Week on February 11, 2020 in New York City. (Photo by Victor VIRGILE\/Gamma-Rapho via Getty Images)<\/figcaption><\/figure>\n

Inspiration is everywhere is a statement that rings especially true during New York Fashion Week. It could be a time, a place, a person, or a 200-year-old poem (as was the case at Oscar de la Renta<\/a>) that inspires the look, beauty and theater behind a collection.<\/p>\n

At Rodarte\u2019s FW2020 show, Nars Makeup Director James Kaliardos<\/a> drew inspiration from an unlikely but also perfectly fitting place: Winona Ryder as gothic but delicate vampire’s-wife\u00a0Mina Harker in 1992 Francis Ford Coppola classic Bram Stoker’s Dracula<\/em>. With her bordeaux lips, translucent skin, and long wispy lashes, she was the perfect beauty muse for a designer that always delivers a show that\u2019s whimsical, romantic, and Edwardian all at once, complete with frothy tulle, delicate embroidery and long gowns that sweep the floor.<\/p>\n

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NEW YORK, NEW YORK – FEBRUARY 11: A model prepares backstage at Rodarte during NYFW on February 11, 2020 in New York City. (Photo by Astrid Stawiarz\/Getty Images)<\/figcaption><\/figure>\n

\u201cI have crossed oceans of time to find you,” Kaliardos quoted backstage at the FW2020 show in a rich, haughty, Dracula-type accent. The gothic innuendo was rife, from the dimly lit altar-cum-runway, to the religious location of St. Bartholomew\u2019s Church. As far as beauty was concerned, skin was buffed to a Vampire-level of creamy perfection using the Nars Natural Radiance Longwear Foundation<\/a> and Radiant Creamy Concealer<\/a>. Kaliardos used highlighter to create a “controlled level of glow,” avoiding anything that would make the finished look too hyperbolic or “scary.” Eyes were bare except for a few long, side-swept lashes on the outer corners. The feature was the dark, vampy pout that appeared black at a glance but was actually a deep, saturated black cherry. James used the Star Rockin Precision Lip Pencil<\/a> to line the lips, before filling with Train Bleu Velvet Matte Lip Pencil<\/a>.<\/p>\n

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Hair was piled high above each model’s head in a fluffy, airy half updo, complete with flower embellishments and a tulle veil that looked almost bridal. And because the devil is in the detail at Rodarte, nails were also painted a dark shade of blood red – the perfect accompaniment to the dark, brooding makeup look.<\/p>\n

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Nars Velvet Matte Lip Pencil in Train Bleu, $41 via Mecca Cosmetica.<\/span> SHOP NOW<\/a><\/span><\/p>\n

All products featured on GRAZIA are independently selected by our editors. However, when you buy something through our retail links, Grazia may earn an affiliate commission.<\/em><\/p>\n","protected":false},"author":5526,"featured_media":1778,"template":"","format":"standard","categories":[30,16],"yoast_head":"\nThe Lady Is A Vamp. Beauty Notes From Backstage Rodarte At NYFW<\/title>\n<meta name=\"description\" content=\"Backstage at Rodarte, makeup director James Kaliardos created an amazing display of dark, vampire-inspired lips. See the NYFW show details inside.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/us\/articles\/rodarte-nyfw-beauty\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Lady Is A Vamp. 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