{"id":113864,"date":"2026-07-23T14:23:19","date_gmt":"2026-07-23T14:23:19","guid":{"rendered":"https:\/\/graziamagazine.com\/us\/?post_type=articles&#038;p=113864"},"modified":"2026-07-23T13:59:37","modified_gmt":"2026-07-23T13:59:37","slug":"the-odyssey-soundtrack-goransson","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/us\/articles\/the-odyssey-soundtrack-goransson\/","title":{"rendered":"The Odyssey&#8217;s Soundtrack Is a Work of Art \u2014 It Was Made With Bronze Gongs and Scrap Metal"},"content":{"rendered":"<figure id=\"attachment_113865\" aria-describedby=\"caption-attachment-113865\" style=\"width: 1280px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-113865 size-full\" src=\"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1.jpg\" alt=\"\" width=\"1280\" height=\"720\" srcset=\"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1.jpg 1280w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1-300x169.jpg 300w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1-1024x576.jpg 1024w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1-768x432.jpg 768w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1-400x225.jpg 400w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1-155x87.jpg 155w\" sizes=\"(max-width: 1280px) 100vw, 1280px\" \/><figcaption id=\"caption-attachment-113865\" class=\"wp-caption-text\">Courtesy of Universal Pictures<\/figcaption><\/figure>\n<p class=\"font-claude-response-body break-words whitespace-normal\" dir=\"auto\" data-sourcepos=\"3:1-3:291;88-378\">Picture the moment. A director hands his composer the biggest epic of the decade and adds one instruction, which is that the entire orchestra stays home. <strong>Ludwig G\u00f6ransson<\/strong> took the brief, walked into the Bronze Age and came back with the strangest, most thrilling film score of the year. <em>The Odyssey<\/em> marks the third collaboration between G\u00f6ransson and <strong>Christopher Nolan<\/strong> after <em>Tenet<\/em> and <em>Oppenheimer<\/em>, and the logic behind the ban is beautifully simple. Homer&#8217;s world had lyres and reed pipes long before anyone dreamed up a string section, so the composer treated the restriction as an invitation to invent something genuinely new. Nolan framed his own ambition as a hunt for a sound more timeless than the usual sword-and-sandals fare, which conveniently sidesteps every comparison with a certain half-billion-streamed gladiator soundtrack.<\/p>\n<h1 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\" dir=\"auto\" data-sourcepos=\"7:1-7:54;943-996\">35 Bronze Gongs and a Pile of Scrap Metal<\/h1>\n<figure id=\"attachment_113866\" aria-describedby=\"caption-attachment-113866\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-113866\" src=\"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson.jpg 1200w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-300x200.jpg 300w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-1024x683.jpg 1024w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-768x512.jpg 768w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-400x267.jpg 400w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-155x103.jpg 155w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113866\" class=\"wp-caption-text\">Courtesy of Universal Pictures<\/figcaption><\/figure>\n<p class=\"font-claude-response-body break-words whitespace-normal\" dir=\"auto\" data-sourcepos=\"9:1-9:300;998-1297\">The shopping list alone deserves applause. G\u00f6ransson acquired <strong>35 bronze gongs<\/strong> in varying sizes, chosen to echo the era the story inhabits, then hit them, recorded them and ran the results through synthesizers until the sound landed somewhere between an archaeological dig and a Berlin nightclub. Scrap metal joined the party too, transformed into percussion through experimental sessions that treated ordinary objects as instruments. The pattern will feel familiar to anyone tracking his recent work, since he built the Oscar-winning <em>Sinners<\/em> score around a 1932 Dobro resonator guitar, and <em>Tenet<\/em> around reversed audio. Every Nolan project starts with a rule, then explodes outward from it. Then came the archaeology. G\u00f6ransson researched genuine ancient Greek instruments, including the <strong>lyre<\/strong> and the <strong>aulos<\/strong>, that double-pipe reed contraption immortalised on countless vases and carvings. He rates the aulos as the closest thing antiquity had to a rockstar instrument, a status it held for roughly a thousand years, which frankly deserves to be a T-shirt.<\/p>\n<h1 class=\"text-text-100 mt-3 -mb-1 text-[1.125rem] font-bold\" dir=\"auto\" data-sourcepos=\"15:1-15:46;2071-2116\">Enter James Blake, and the Song at the End<\/h1>\n<figure id=\"attachment_113867\" aria-describedby=\"caption-attachment-113867\" style=\"width: 1200px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-113867 size-full\" src=\"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-2.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-2.jpg 1200w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-2-300x200.jpg 300w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-2-1024x683.jpg 1024w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-2-768x512.jpg 768w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-2-400x267.jpg 400w, https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2026\/07\/the-odyssey-soundtrack-goransson-2-155x103.jpg 155w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><figcaption id=\"caption-attachment-113867\" class=\"wp-caption-text\">Courtesy of Universal Pictures<\/figcaption><\/figure>\n<p class=\"font-claude-response-body break-words whitespace-normal\" dir=\"auto\" data-sourcepos=\"17:1-17:274;2118-2391\">Human voices carry the emotional weight across the whole thing, and one of them belongs to <strong>James Blake<\/strong>, whose falsetto floats over the bronze like sea mist. G\u00f6ransson has said the vocals handle much of the emotional pacing, giving all that metal somewhere soft to land. The soundtrack also features an original song called <em>When I&#8217;m Home<\/em>, credited to a wildly unexpected quartet made up of Blake, <strong>Travis Scott<\/strong>, G\u00f6ransson and Nolan himself. Yes, that Nolan, now officially a songwriter. For anyone who listens to scores the way other people read novels, this one rewards headphones and patience. Ancient tools, modern production and a director brave enough to delete the violins. Homer would probably have loved the racket.<\/p>\n","protected":false},"author":42787,"featured_media":113865,"template":"","format":"standard","categories":[38],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Inside The Odyssey&#039;s Bronze Age Soundtrack<\/title>\n<meta name=\"description\" content=\"Christopher Nolan banned the orchestra, so Ludwig G\u00f6ransson built The Odyssey score from bronze gongs, ancient Greek pipes and James Blake.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/us\/articles\/the-odyssey-soundtrack-goransson\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The Odyssey&#039;s Soundtrack Is a Work of Art \u2014 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