{"version":"1.0","provider_name":"Grazia USA","provider_url":"https:\/\/graziamagazine.com\/us","author_name":"Josh Sokol","author_url":"https:\/\/graziamagazine.com\/us\/author\/joshsokol\/","title":"Olivia Colman in 'The Lost Daughter': Lessons in Obsessive Avoidance","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"GVsXxsgfQt\"><a href=\"https:\/\/graziamagazine.com\/us\/articles\/olivia-colman-the-lost-daughter\/\">Olivia Colman in &#8216;The Lost Daughter&#8217;: Lessons in Obsessive Avoidance<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/graziamagazine.com\/us\/articles\/olivia-colman-the-lost-daughter\/embed\/#?secret=GVsXxsgfQt\" width=\"600\" height=\"338\" title=\"&#8220;Olivia Colman in &#8216;The Lost Daughter&#8217;: Lessons in Obsessive Avoidance&#8221; &#8212; Grazia USA\" data-secret=\"GVsXxsgfQt\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/graziamagazine.com\/us\/wp-content\/uploads\/sites\/15\/2022\/01\/feat.jpg?fit=2999%2C1687","thumbnail_width":2999,"thumbnail_height":1687,"description":"Usually when we think of movies set in remote, luxurious Greek landscapes, images of Meryl Streep and ABBA populate in our head, \u00e0 la\u00a0Mamma Mia!\u00a0But picture this instead \u2014 Olivia Colman in sunglasses driving down a remote road while a moody, vintage James Bond-esque soundtrack by Dickon Hinchcliffe (which..."}