1.0Grazia USAhttps://graziamagazine.com/usIsabelle Trumanhttps://graziamagazine.com/us/author/itruman/A Welcome Return To Simone Rocha's Wonderlandrich600338<blockquote class="wp-embedded-content" data-secret="BpsaNl46eo"><a href="https://graziamagazine.com/us/articles/simone-rocha-spring-summer-2022/">A Welcome Return To Simone Rocha’s Wonderland</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://graziamagazine.com/us/articles/simone-rocha-spring-summer-2022/embed/#?secret=BpsaNl46eo" width="600" height="338" title="“A Welcome Return To Simone Rocha’s Wonderland” — Grazia USA" data-secret="BpsaNl46eo" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
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https://graziamagazine.com/us/wp-content/uploads/sites/15/2021/09/210920-Simone-Rocha-SS22-06-0178-Cropped.jpg?fit=2667%2C150026671500For Simone Rocha’s first in-person show since February 2020, before the pandemic halted the fashion industry, along with every other, in its tracks, the beloved British designer opted for opulence. On the final evening of London Fashion Week’s spring-summer 2021 season, Rocha gathered guests at the medieval church of St Bartholomew the Great, seating attendees, including Claire Foy, Alexa Chung, Nicola Coughlan and Francesca Hayward, in the pews of the dimly lit, gothic-look 12th century space.