{"id":28927,"date":"2017-08-08T13:18:37","date_gmt":"2017-08-08T19:18:37","guid":{"rendered":"https:\/\/graziamagazine.com\/mx\/?p=28927"},"modified":"2017-08-08T13:30:42","modified_gmt":"2017-08-08T19:30:42","slug":"5-colaboraciones-historicas-moda-ballet","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/mx\/articles\/5-colaboraciones-historicas-moda-ballet\/","title":{"rendered":"5 COLABORACIONES HIST\u00d3RICAS ENTRE LA  MODA Y EL BALLET"},"content":{"rendered":"<p><b>Por d\u00e9cadas, el ballet se ha fusionado con la moda para crear incre\u00edbles\u00a0vestuarios. Estas 5 firmas han colaborado en producciones memorables.<\/b><\/p>\n<p><!--more--><\/p>\n<p>\u2013\u2013\u2013\u2013<\/p>\n<figure id=\"attachment_28928\" aria-describedby=\"caption-attachment-28928\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-28928\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/Portrait-Christian-Lacroix-\u00a9-Ann-Ray--1024x682.jpg\" alt=\"BALLET-MODA-VESTUARIOS-DESTACADA\" width=\"1024\" height=\"682\" \/><figcaption id=\"caption-attachment-28928\" class=\"wp-caption-text\">Christian Lacroix por Ann Ray.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h3><b>Por Mar\u00eda Jos\u00e9 Gonz\u00e1lvez<\/b><\/h3>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">La relaci\u00f3n entre la moda y el <\/span><b><i>ballet<\/i><\/b><span style=\"font-weight: 400;\"> fusiona la elegancia de esta danza con la artesan\u00eda detr\u00e1s de elaborados vestuarios. <\/span><\/p>\n<p><span style=\"font-weight: 400;\">Trazar su historia es remontarse a principios del siglo XX, cuando <\/span><b>Paul Poiret <\/b><span style=\"font-weight: 400;\">vio a la compa\u00f1\u00eda de <\/span><b>Serge Pavlovich Diaghilev<\/b><span style=\"font-weight: 400;\">, <\/span><b><i>Ballets Russes (Ballets Rusos),<\/i><\/b><span style=\"font-weight: 400;\">\u00a0como una fuente de inspiraci\u00f3n.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fue en ese momento\u00a0que naci\u00f3 su est\u00e9tica orientalista que lo convirti\u00f3 en el rey de la moda durante la d\u00e9cada de los veinte.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-28936\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-POIRET-477x1024.jpg\" alt=\"BALLET-MODA-VESTUARIOS-POIRET\" width=\"477\" height=\"1024\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Siendo una expresi\u00f3n art\u00edstica que pone en escena dram\u00e1ticas y ut\u00f3picas historias, el <\/span><i><span style=\"font-weight: 400;\">ballet<\/span><\/i><span style=\"font-weight: 400;\"> exhibe la cara rom\u00e1ntica de la moda a trav\u00e9s de sus prendas. <\/span><\/p>\n<p>Una mancuerna inquebrantable que ha inundado las p\u00e1ginas de las publicaciones m\u00e1s reconocidas y que adem\u00e1s, ha dictado tendencias sobre y debajo del escenario.<\/p>\n<p><span style=\"font-weight: 400;\">Hoy, la tarea de crear el vestuario de las compa\u00f1\u00edas es un reconocimiento para los dise\u00f1adores contempor\u00e1neos. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Por ello, te traemos 5 colaboraciones que debes conocer; desde las m\u00e1s antiguas hasta las m\u00e1s recientes.<\/span><\/p>\n<p>&nbsp;<\/p>\n<h2><b>1.<\/b><\/h2>\n<p><b>Coco Chane<\/b><span style=\"font-weight: 400;\">l fue de las primeras <\/span><i><span style=\"font-weight: 400;\">couturiers<\/span><\/i><span style=\"font-weight: 400;\">, adem\u00e1s de <\/span><b>Poiret<\/b><span style=\"font-weight: 400;\">, que crearon el vestuario de una obra. En 1924, <\/span><b>Chanel<\/b><span style=\"font-weight: 400;\"> dise\u00f1\u00f3 un perfecto guardarropas para <\/span><b>\u201cLe Train Bleu\u201d<\/b><span style=\"font-weight: 400;\">. Algunas de las prendas fueron exhibidas por el <\/span><b><i>V&amp;A Museum<\/i><\/b> <span style=\"font-weight: 400;\">en 2010-2011 y pertenecen a su colecci\u00f3n privada.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-28935\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-CHANEL.jpg\" alt=\"BALLET-MODA-VESTUARIOS-CHANEL\" width=\"920\" height=\"942\" srcset=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-CHANEL.jpg 920w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-CHANEL.jpg?resize=439,450 439w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-CHANEL.jpg?resize=768,786 768w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-CHANEL.jpg?resize=155,159 155w\" sizes=\"(max-width: 920px) 100vw, 920px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-28934\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-CHANEL1-907x1024.jpg\" alt=\"BALLET-MODA-VESTUARIOS-CHANEL1\" width=\"907\" height=\"1024\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2><b>2.<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">A principios de la d\u00e9cada de los noventa, <\/span><b>Issey Miyake<\/b><span style=\"font-weight: 400;\"> dise\u00f1\u00f3 el vestuario de la producci\u00f3n de <\/span><b>William Forsythe<\/b><span style=\"font-weight: 400;\"> para el ballet de <\/span><b>Frankfurt<\/b><span style=\"font-weight: 400;\">, <\/span><b><i>\u201cThe Loss of Small Detail\u201d.<\/i><\/b><span style=\"font-weight: 400;\"> Durante este proceso de creaci\u00f3n, el japon\u00e9s desarroll\u00f3 una nueva t\u00e9cnica de <\/span><i><span style=\"font-weight: 400;\">pleating<\/span><\/i><span style=\"font-weight: 400;\"> \u2013elemento insignia del dise\u00f1ador\u2013 que explora las m\u00faltiples posibilidades de una tela <\/span><i><span style=\"font-weight: 400;\">knitwear<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-28933\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-ISSEY.jpg\" alt=\"BALLET-MODA-VESTUARIOS-ISSEY\" width=\"700\" height=\"494\" srcset=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-ISSEY.jpg 700w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-ISSEY.jpg?resize=450,318 450w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-ISSEY.jpg?resize=155,109 155w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2><b>3.<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">En <\/span><b>1984<\/b><span style=\"font-weight: 400;\">, <\/span><b>Gianni Versace<\/b><span style=\"font-weight: 400;\"> dio inicio a una serie de 12 colaboraciones con el productor <\/span><b>Maurice B\u00e9jart<\/b><span style=\"font-weight: 400;\">, siendo la primera <\/span><b><i>\u201cDionysos\u201d<\/i><\/b><span style=\"font-weight: 400;\"> y la \u00faltima <\/span><b><i>\u201cBarocco-Bel Canto\u201d<\/i><\/b><span style=\"font-weight: 400;\">. Para <\/span><b>Gianni<\/b><span style=\"font-weight: 400;\">, trasladar su opulenta inspiraci\u00f3n a los vestuarios era natural, pues su entusiasmo por la cultura italiana concluy\u00f3 en piezas \u00fanicas en su tipo.<\/span><\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_28932\" aria-describedby=\"caption-attachment-28932\" style=\"width: 384px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28932\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-VERSACE.jpg\" alt=\"BALLET-MODA-VESTUARIOS-VERSACE\" width=\"384\" height=\"531\" srcset=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-VERSACE.jpg 384w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-VERSACE.jpg?resize=325,450 325w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-VERSACE.jpg?resize=155,215 155w\" sizes=\"(max-width: 384px) 100vw, 384px\" \/><figcaption id=\"caption-attachment-28932\" class=\"wp-caption-text\">Capriccio, por Gianni Versace.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<h2><b>4.<\/b><\/h2>\n<p><span style=\"font-weight: 400;\">El <\/span><b><i>New York City Ballet<\/i><\/b><span style=\"font-weight: 400;\"> colabora anualmente con diversos dise\u00f1adores; propuesta impulsada por la protagonista de<\/span><b><i> \u201cSex and the City\u201d<\/i><\/b><span style=\"font-weight: 400;\">, <\/span><b>Sarah Jessica Parker<\/b><span style=\"font-weight: 400;\">. La lista de aquellos que se han unido con core\u00f3grafos reconocidos incluye a <\/span><b>Jason Wu, Dries Van Noten, Narciso Rodriguez, <\/b><span style=\"font-weight: 400;\">y <\/span><b>Mary Katrantzou<\/b><span style=\"font-weight: 400;\">. Este a\u00f1o, el d\u00fao detr\u00e1s de <\/span><strong>Mons<\/strong><span style=\"font-weight: 400;\"><strong>e<\/strong> \u2013<\/span><b>Fernando Garcia y Laura Kim<\/b><span style=\"font-weight: 400;\">\u2013 junto a<\/span><b> Virgil Abloh <\/b><span style=\"font-weight: 400;\">y <\/span><b>Jonathan Saunders<\/b><span style=\"font-weight: 400;\">, fueron seleccionados para el programa del <\/span><b><i>Fall Gala<\/i><\/b><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-28931\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-KATRANTZOU-687x1024.jpg\" alt=\"BALLET-MODA-VESTUARIOS-KATRANTZOU\" width=\"687\" height=\"1024\" \/><\/p>\n<p>&nbsp;<\/p>\n<h2><strong>5.<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">Al igual que el <\/span><b><i>NYCB<\/i><\/b><span style=\"font-weight: 400;\">, la <\/span><b>\u00d3pera de Par\u00eds<\/b><span style=\"font-weight: 400;\"> colabora con firmas para los vestuarios de sus obras m\u00e1s importantes. El director creativo de <\/span><b>Balmain<\/b><span style=\"font-weight: 400;\">, <\/span><b>Olivier Rousteing,<\/b><span style=\"font-weight: 400;\"> fue el \u00faltimo que cre\u00f3 piezas para la compa\u00f1\u00eda de arte, con prendas retacadas de m\u00faltiples detalles. En 2014, para marcar el regreso de <\/span><b><i>\u201cMidsummer Night\u2019s Dream\u201d<\/i><\/b><span style=\"font-weight: 400;\"> a la escena del baile, <\/span><b>Christian Lacroix<\/b><span style=\"font-weight: 400;\"> colabor\u00f3 con <\/span><b>Swarovski<\/b><span style=\"font-weight: 400;\"> en dar un vestuario que involucr\u00f3 un mill\u00f3n de cristales \u2014un promedio de 200 cristales por prenda y accesorio.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_28930\" aria-describedby=\"caption-attachment-28930\" style=\"width: 683px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-28930\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/BALLET-MODA-VESTUARIOS-BALMAIN-683x1024.jpg\" alt=\"BALLET-MODA-VESTUARIOS-BALMAIN\" width=\"683\" height=\"1024\" \/><figcaption id=\"caption-attachment-28930\" class=\"wp-caption-text\">Balmain x Opera de Paris.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<figure id=\"attachment_28929\" aria-describedby=\"caption-attachment-28929\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-28929\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/LLET-MODA-VESTUARIOS-LACROIX.jpg\" alt=\"LLET-MODA-VESTUARIOS-LACROIX\" width=\"1024\" height=\"1024\" srcset=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/LLET-MODA-VESTUARIOS-LACROIX.jpg 1024w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/LLET-MODA-VESTUARIOS-LACROIX.jpg?resize=150,150 150w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/LLET-MODA-VESTUARIOS-LACROIX.jpg?resize=450,450 450w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/LLET-MODA-VESTUARIOS-LACROIX.jpg?resize=768,768 768w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2017\/08\/LLET-MODA-VESTUARIOS-LACROIX.jpg?resize=155,155 155w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><figcaption id=\"caption-attachment-28929\" class=\"wp-caption-text\">\u201cMidsummer Night\u2019s Dream\u201d , Christian Lacroix.<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<h5><b><i>*REFERENCIAS: NY Times \/ Victoria &amp; Albert Museum \/ Sitio oficial de Swarovski \/ Sitio oficial de Issey Miyake.<\/i><\/b><\/h5>\n<h5><strong><em>*FOTOS: Cortes\u00eda.<\/em><\/strong><\/h5>\n","protected":false},"author":11636,"featured_media":28928,"template":"","format":"standard","categories":[5,4,10],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>5 COLABORACIONES HIST\u00d3RICAS ENTRE LA MODA Y EL BALLET | Grazia M\u00e9xico y Latinoam\u00e9rica<\/title>\n<meta name=\"description\" content=\"Por d\u00e9cadas, el ballet se ha fusionado con la moda para crear incre\u00edbles vestuarios. 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