{"id":21579,"date":"2017-04-06T21:24:22","date_gmt":"2017-04-07T03:24:22","guid":{"rendered":"https:\/\/graziamagazine.com\/mx\/?p=21579"},"modified":"2017-04-06T21:27:11","modified_gmt":"2017-04-07T03:27:11","slug":"leonora-carrington-una-vida-surrealista","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/mx\/articles\/leonora-carrington-una-vida-surrealista\/","title":{"rendered":"LEONORA CARRINGTON: UNA VIDA SURREALISTA"},"content":{"rendered":"

Hoy, la pintora Leonora Carrington cumplir\u00eda 100 a\u00f1os. Te platicamos breves\u00a0aspectos de su vida que nos enamoran.<\/strong><\/p>\n

<\/p>\n

\u2013\u2013\u2013\u2013<\/p>\n

\"LEONORA<\/p>\n

 <\/p>\n

Platicando respecto al cumplea\u00f1os de Leonora Carrington, en el equipo de Grazia M\u00e9xico coincidimos que tanto ella como Remedios Varo son de nuestras artistas favoritas. Particularmente, esa forma de retratar im\u00e1genes on\u00edricas en donde los humanos se transforman en animales o en objetos y conviven en escenarios plagados de estrellas.<\/span><\/p>\n

Pintora y escritora nacida en 1917 en Reino Unido y nacionalizada mexicana, Leonora Carrington Moorhead fue de las precursoras del surrealismo en un pa\u00eds en donde esta corriente se manifest\u00f3 a sus anchas. Muestra de ello est\u00e1 en la huasteca Potosina en donde el \u201ccastillo surrealista\u201d de Sir Edward James (como popularmente se conoce) se alza entre la selva de Xilitla<\/a><\/span>, en donde distintas escaleras que no llegan a ning\u00fan lado son una atracci\u00f3n obligada.<\/p>\n

Fue precisamente durante el siglo XX (cuando fue construido) que la propia Leonora visitaba al escultor \u2013e incluso, intervino algunos de los muros\u2013 al igual que otros personajes del movimiento como Salvador Dal\u00ed. De sus pinturas principales, rescatamos dos de nuestros favoritos: \u201cBird Bath\u201d (1974) y \u201cLa comida de Lord Candlestick\u201d (1938) en donde sucede una reuni\u00f3n entre personajes h\u00edbridos.<\/p>\n

Una importante figura no s\u00f3lo para una de las expresiones art\u00edsticas de mayor impacto en nuestra historia; sino una muestra de que para la \u00e9poca, el pincel fue su medio y fin para liberarse de prejuicios, y de paso, echar a volar nuestra imaginaci\u00f3n.<\/p>\n

 <\/p>\n

\"unnamed-8\"
\u201cBird Bath\u201d (1974) .<\/figcaption><\/figure>\n
\"meal2\"
\u201cLa comida de Lord Candlestick\u201d (1938).<\/figcaption><\/figure>\n

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