{"id":157334,"date":"2025-09-26T13:40:09","date_gmt":"2025-09-26T18:40:09","guid":{"rendered":"https:\/\/graziamagazine.com\/mx\/?post_type=articles&p=157334"},"modified":"2025-09-26T13:46:30","modified_gmt":"2025-09-26T18:46:30","slug":"los-mejores-looks-de-max-mara-milan","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/mx\/articles\/los-mejores-looks-de-max-mara-milan\/","title":{"rendered":"Los mejores looks de Max Mara Mil\u00e1n"},"content":{"rendered":"
La Semana de la Moda de Mil\u00e1n volvi\u00f3 a ser epicentro de conversaci\u00f3n global, esta vez con un desfile de Max Mara que dej\u00f3 huella. Ian Griffiths, su director creativo, present\u00f3 una colecci\u00f3n que reinterpret\u00f3 el rococ\u00f3 con un giro inesperado: lejos de la ornamentaci\u00f3n excesiva, apost\u00f3 por la pureza minimalista. Un contraste exquisito que llev\u00f3 a la casa italiana a un nuevo nivel de sofisticaci\u00f3n.<\/p>\n
Gabardinas con poder narrativo<\/h3>\n
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El desfile abri\u00f3 con una serie de gabardinas estilizadas que demostraron la maestr\u00eda de Griffiths en la sastrer\u00eda. Con hombros adornados por delicadas nubes de gasa, estas piezas equilibraron modernidad y teatralidad.<\/p>\n
Los cuellos embudo y las solapas levantadas reforzaron la estructura arquitect\u00f3nica de los looks, dejando claro que la gabardina sigue siendo la pieza insignia de Max Mara.<\/p>\n
Chaquetas que reinventan el cuerpo<\/h3>\n
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Las chaquetas bodycon fueron otro de los puntos m\u00e1s celebrados. Dise\u00f1adas para abrazar la silueta, muchas dejaban la espalda al descubierto, aportando sensualidad sin perder elegancia.<\/p>\n
Los pantalones pitillo acompa\u00f1aron estas siluetas, alargando visualmente la figura y conectando con una est\u00e9tica contempor\u00e1nea que se inspira tanto en el gimnasio como en la corte de Versalles.<\/p>\n
Vestidos de p\u00e9talos y transparencias<\/h3>\n
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Cuando la noche lleg\u00f3 a la pasarela, el rococ\u00f3 se hizo evidente en los vestidos de p\u00e9talos de gasa. Inspirados en la naturaleza, eje del siglo XVIII, estos dise\u00f1os evocaron frescura y ligereza.<\/p>\n
Griffiths explic\u00f3 que buscaba transmitir la ilusi\u00f3n juguetona de Versalles, pero con un lenguaje moderno que resulta accesible para la mujer actual.<\/p>\n
Un escenario con grandeza<\/h3>\n
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El Palazzo del Ghiaccio fue el marco elegido para la presentaci\u00f3n. La pista de patinaje m\u00e1s ic\u00f3nica de Mil\u00e1n se transform\u00f3 en un espacio de sofisticaci\u00f3n contempor\u00e1nea, donde la banda sonora mezcl\u00f3 jazz funk con un poderoso concierto de \u00f3rgano.<\/p>\n
Esta fusi\u00f3n musical amplific\u00f3 la sensaci\u00f3n de estar ante un espect\u00e1culo que no solo muestra moda, sino arte en movimiento.<\/p>\n
Un mensaje atemporal<\/h3>\n
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Ian Griffiths reafirm\u00f3 que el verdadero lujo est\u00e1 en crear prendas que favorecen y no resultan vulgares. Su mirada brit\u00e1nica se fusiona con el ADN italiano de Max Mara, dando como resultado una colecci\u00f3n que dialoga entre tradici\u00f3n y modernidad. La mujer Max Mara es fuerte, elegante y consciente de su poder.<\/p>\n
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