{"id":155153,"date":"2025-08-27T11:22:58","date_gmt":"2025-08-27T16:22:58","guid":{"rendered":"https:\/\/graziamagazine.com\/mx\/?post_type=articles&#038;p=155153"},"modified":"2025-08-27T13:24:02","modified_gmt":"2025-08-27T18:24:02","slug":"estas-son-las-peliculas-que-participan-en-el-festival-internacional-de-cine-de-venecia","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/mx\/articles\/estas-son-las-peliculas-que-participan-en-el-festival-internacional-de-cine-de-venecia\/","title":{"rendered":"Estas son las pel\u00edculas que participan en el Festival Internacional de Cine de Venecia"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Este 27 de agosto de 2025, la ciudad de Venecia se convierte nuevamente en el epicentro del cine internacional con la inauguraci\u00f3n de la 82\u00aa edici\u00f3n del Festival Internacional de Cine, que se celebrar\u00e1 en el Lido entre el 27 de agosto y el 6 de septiembre. Organizado por La Biennale di Venezia y bajo la direcci\u00f3n art\u00edstica de Alberto Barbera, este evento reproducir\u00e1 una impresionante cantidad de pel\u00edculas de la m\u00e1s alta calidad.<\/span><\/p>\n<p><span style=\"font-weight: 400\">La gala inaugural estar\u00e1 a cargo de Paolo Sorrentino, gran figura del cine italiano, quien presenta <\/span><i><span style=\"font-weight: 400\">La Grazia<\/span><\/i><span style=\"font-weight: 400\">, su m\u00e1s reciente producci\u00f3n protagonizada por Toni Servillo. Una obra que, por ahora, mantiene en secreto parte de su gui\u00f3n, lo que la envuelve en un aire de misterio y expectativa. Tambi\u00e9n se ha anunciado que la velada de clausura tendr\u00e1 como broche final la cinta francesa <\/span><i><span style=\"font-weight: 400\">Dog 51<\/span><\/i><span style=\"font-weight: 400\">, dirigida por C\u00e9dric Jimenez.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Esta edici\u00f3n presenta una gran programaci\u00f3n, con 21 pel\u00edculas compitiendo por el valioso Le\u00f3n de Oro. En esta selecci\u00f3n destacan nombres como Guillermo del Toro, Kathryn Bigelow, Yorgos Lanthimos y Park Chan-wook, todos ellos representando una variedad de estilos cinematogr\u00e1ficos.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Fuera de la competencia, otras figuras como Luca Guadagnino, Gus Van Sant, Julian Schnabel y C\u00e9dric Jimenez tambi\u00e9n tienen lugar con sus nuevas producciones.. En particular, la esperada adaptaci\u00f3n de <\/span><i><span style=\"font-weight: 400\">Frankenstein<\/span><\/i><span style=\"font-weight: 400\"> de Guillermo del Toro, producida por Netflix y con actores de la talla de Jacob Elordi, Oscar Isaac y Christoph Waltz, es uno de los t\u00edtulos m\u00e1s esperados de este a\u00f1o.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Adem\u00e1s, en esta edici\u00f3n se presentan pel\u00edculas que visibilizar\u00e1n temas delicados, como <\/span><i><span style=\"font-weight: 400\">The Voice of Hind Rajab<\/span><\/i><span style=\"font-weight: 400\">, que aborda directamente el conflicto b\u00e9lico en Gaza.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Estas son todas las pel\u00edculas que podr\u00e1n verse en esta edici\u00f3n de la Mostra:<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-155158\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/5959-1-450x161.jpg\" alt=\"\" width=\"450\" height=\"161\" srcset=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/5959-1-450x161.jpg 450w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/5959-1-400x143.jpg 400w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/5959-1-155x56.jpg 155w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/5959-1.jpg 700w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p><strong>Pel\u00edcula de apertura<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">La Grazia, dir. Paolo Sorrentino (Italia) (En competici\u00f3n)<\/span><\/li>\n<\/ul>\n<p><strong>Pel\u00edcula de cierre<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Dog 51, dir. Cedric Jimenez (Francia)<\/span><\/li>\n<\/ul>\n<p><strong>Competencia<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">The Wizard of the Kremlin, dir. Olivier Assayas (Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Jay Kelly, dir. Noah Baumbach (EE.UU., Reino Unido, Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">The Voice of Hind Rajab, dir. Kaouther Ben Hania (T\u00fanez, Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">A House of Dynamite, dir. Kathryn Bigelow (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Sun Rises on Us All, dir. Cai Shangjun (China)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Frankenstein, dir. Guillermo Del Toro (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Elisa, dir. Leonardo Di Costanzo (Italia, Suiza)<\/span><\/li>\n<li><span style=\"font-weight: 400\">\u00c0 pied d\u2019\u0153uvre, dir. Val\u00e9rie Donzelli (Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Silent Friend, dir. Ildik\u00f3 Enyedi (Alemania, Francia, Hungr\u00eda)<\/span><\/li>\n<li><span style=\"font-weight: 400\">The Testament of Ann Lee, dir. Mona Fastvold (Reino Unido)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Father Mother Sister Brother, dir. Jim Jarmusch (EE.UU., Irlanda, Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Bugonia, dir. Yorgos Lanthimos (Reino Unido)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Duse, dir. Pietro Marcello (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Un film fatto per Bene, dir. Franco Maresco (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Orphan, dir. L\u00e1szl\u00f3 Nemes (Hungr\u00eda, Reino Unido, Alemania, Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">The Stranger, dir. Fran\u00e7ois Ozon (Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">No Other Choice, dir. Park Chan-wook (Corea del Sur)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Sotto le nuvole, dir. Gianfranco Rosi (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">The Smashing Machine, dir. Benny Safdie (Canad\u00e1, EE.UU., Jap\u00f3n)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Girl, dir. Shu Qi (Taipei)<\/span><\/li>\n<li><span style=\"font-weight: 400\">La Grazia, dir. Paolo Sorrentino (Italia)<\/span><\/li>\n<\/ul>\n<p><strong>Fuera de competici\u00f3n (Ficci\u00f3n)<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Bo\u015flu\u011fa x\u00fctb\u0259, dir. Hilal Baydarov (Azerbaijan, M\u00e9xico, Turqu\u00eda)<\/span><\/li>\n<li><span style=\"font-weight: 400\">L\u2019isola di Andrea, dir. Antonio Capuano (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Il Maestro, dir. Andrea Di Stefano (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">After the Hunt, dir. Luca Guadagnino (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Hateshinaki Scarlet, dir. Mamoru Hosoda (Jap\u00f3n)<\/span><\/li>\n<li><span style=\"font-weight: 400\">The Last Viking, dir. Anders Thomas Jensen (Dinamarca, Suecia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Chien 51, dir. C\u00e9dric Jimenez (Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">In the Hand of Dante, dir. Julian Schnabel (EE.UU., Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">La valle dei sorrisi, dir. Paolo Strippoli (Italia, Eslovenia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Dead Man\u2019s Wire, dir. Gus Van Sant (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Orfeo, dir. Virgilio Villoresi (Italia)<\/span><\/li>\n<\/ul>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-155157\" src=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/4848-1-450x295.jpg\" alt=\"\" width=\"450\" height=\"295\" srcset=\"https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/4848-1-450x295.jpg 450w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/4848-1-400x262.jpg 400w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/4848-1-155x102.jpg 155w, https:\/\/graziamagazine.com\/mx\/wp-content\/uploads\/sites\/13\/2025\/08\/4848-1.jpg 637w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p><strong>Fuera de competici\u00f3n (No ficci\u00f3n)<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Kabul, Between Prayers, dir. Aboozar Amini (Pa\u00edses Bajos, B\u00e9lgica)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Ferdinando Scianna \u2013 Il fotografo dell\u2019ombra, dir. Roberto And\u00f2 (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Marc by Sofia, dir. Sofia Coppola (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">I diari di Angela \u2013 Noi due cineasti. Capitolo terzo, dir. Yervant Gianikian, Angela Ricci Lucchi (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Ghost Elephants, dir. Werner Herzog (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">My Father and Qaddafi, dir. Jihan K (EE.UU., Libia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">The Tale of Sylian, dir. Tamara Kotevska (Macedonia del Norte)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Nuestra Tierra, dir. Lucrecia Martel (Argentina, EE.UU., M\u00e9xico, Francia, Pa\u00edses Bajos, Dinamarca)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Remake, dir. Ross McElwee (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Kim Novak\u2019s Vertigo, dir. Alexandre Philippe (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Cover-up, dir. Laura Poitras, Mark Obenhaus (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Broken English, dir. Jane Pollard, Iain Forsyth (Reino Unido)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Notes of a True Criminal, dir. Alexander Rodnyansky, Andriy Alferov (Ucrania, EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Director\u2019s Diary, dir. Alexandr Sokurov (Rusia, Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Back Home, dir. Tsai Ming-liang (Taipei)<\/span><\/li>\n<\/ul>\n<p><strong>Fuera de competici\u00f3n (Series)<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Un proph\u00e8te \u2013 La s\u00e9rie, dir. Enrico Maria Artale (Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Portobello, dir. Marco Bellocchio (Italia, Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Etty, dir. Hagai Levi (Francia, Alemania, Pa\u00edses Bajos)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Il mostro, dir. Stefano Sollima (Italia)<\/span><\/li>\n<\/ul>\n<p><strong>Fuera de competici\u00f3n (Film &amp; Music)<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Nino. 18 giorni, dir. Toni D\u2019Angelo (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Piero Pel\u00f9. Rumore dentro, dir. Francesco Fei (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Newport and The Great Folk Dream, dir. Robert Gordon (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Francesco De Gregori Nevergreen, dir. Stefano Pistolini (Italia)<\/span><\/li>\n<\/ul>\n<p><strong>Reflector de Venecia<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Hijra, dir. Shahad Ameen (Arabia Saudita, Irak, Egipto, Reino Unido)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Un cabo suelto, dir. Daniel Hendler (Uruguay, Argentina, Espa\u00f1a)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Made in EU, dir. Stephan Komandarev (Bulgaria, Alemania, Rep\u00fablica Checa)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Motor City, dir. Potsy Ponciroli (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">It Would Be Night in Caracas, dir. Mariana Rond\u00f3n, Marit\u00e9 Ug\u00e1s (M\u00e9xico, Venezuela)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Silent Rebellion, dir. Marie-Elsa Sgualdo (Suiza, Francia, B\u00e9lgica)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Calle M\u00e1laga, dir. Maryam Touzani (Marruecos, Francia, Espa\u00f1a, Alemania, B\u00e9lgica)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Ammazzare stanca, dir. Daniele Vicari (Italia)<\/span><\/li>\n<\/ul>\n<p><strong>Competencia Horizontes<\/strong><\/p>\n<ul>\n<li><span style=\"font-weight: 400\">Divine Comedy, dir. Ali Asgari (Ir\u00e1n, Italia, Francia, Alemania, Turqu\u00eda)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Hiedra, dir. Ana Cristina Barragan (Ecuador, M\u00e9xico, Francia, Espa\u00f1a)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Il rapimento di Arabella, dir. Carolina Cavalli (Italia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Strange River, dir. Jaume Claret Muxart (Espa\u00f1a, Alemania)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Lost Land, dir. Akio Fujimoto (Jap\u00f3n, Francia, Malasia, Alemania)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Grand Ciel, dir. Akihiro Hata (Francia, Luxemburgo)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Rose of Nevada, dir. Mark Jenkin (Reino Unido)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Late Fame, dir. Kent Jones (EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Milk Teeth, dir. Mihai Mincan (Rumania, Francia, Dinamarca, Grecia, Bulgaria)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Pin de Fartie, dir. Alejo Moguillansky (Argentina)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Father, dir. Tereza Nvotov\u00e1 (Eslovaquia, Rep\u00fablica Checa, Polonia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">En el camino, dir. David Pablos (M\u00e9xico, Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Songs of Forgotten Trees, dir. Anuparna Roy (India)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Un anno di scuola, dir. Laura Samani (Italia, Francia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">The Souffleur, dir. Gast\u00f3n Solnicki (Austria, Argentina)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Barrio triste, dir. Stillz (Colombia, EE.UU.)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Mother, dir. Teona Strugar Mitevska (B\u00e9lgica, Macedonia del Norte, Suecia, Dinamarca, Bosnia y Herzegovina)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Human Resource, dir. Nawapol Thamrongrattanarit (Tailandia)<\/span><\/li>\n<li><span style=\"font-weight: 400\">Funeral Casino Blues, dir. Roderick Warich (Alemania)<\/span><\/li>\n<\/ul>\n","protected":false},"author":11628,"featured_media":155156,"template":"","format":"standard","categories":[114,12483,12517,12832],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Estas son las pel\u00edculas que participan en el Festival Internacional de Cine de Venecia<\/title>\n<meta name=\"description\" content=\"Este 27 de agosto de 2025, la ciudad de Venecia se convierte nuevamente en el epicentro del cine internacional con la inauguraci\u00f3n de la 82\u00aa edici\u00f3n del\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/mx\/articles\/estas-son-las-peliculas-que-participan-en-el-festival-internacional-de-cine-de-venecia\/\" \/>\n<meta property=\"og:locale\" content=\"es_MX\" 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