{"id":152622,"date":"2025-06-30T11:03:59","date_gmt":"2025-06-30T16:03:59","guid":{"rendered":"https:\/\/graziamagazine.com\/mx\/?post_type=articles&p=152622"},"modified":"2025-06-30T11:10:52","modified_gmt":"2025-06-30T16:10:52","slug":"jacquemus-reinventa-lo-campesino-chic","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/mx\/articles\/jacquemus-reinventa-lo-campesino-chic\/","title":{"rendered":"Jacquemus reinventa lo campesino chic"},"content":{"rendered":"

Simon Porte Jacquemus<\/strong> cerr\u00f3 la Semana de la Moda masculina de Par\u00eds con una propuesta tan inesperada como espectacular: transformar el Palacio de Versalles en una oda al campesinado chic. La colecci\u00f3n, titulada \u201cLe Paysan\u201d<\/strong>, rindi\u00f3 homenaje a sus ra\u00edces familiares y al imaginario rural del sur de Francia, pero desde la sofisticaci\u00f3n de la alta moda.<\/p>\n

El desfile se celebr\u00f3 en L\u2019Orangerie<\/strong>, el huerto de c\u00edtricos del rey Luis XIV, donde Jacquemus hizo florecer un universo autobiogr\u00e1fico que mezcl\u00f3 tradici\u00f3n, nostalgia y vanguardia.<\/p>\n

\"Jacquemus
Jacquemus reinventa lo campesino chic<\/figcaption><\/figure>\n

Las primeras salidas femeninas evocaban a las campesinas provenzales: faldas voluminosas, delantales estructurados y siluetas amplias<\/strong>, reinterpretadas con cortes modernos y tejidos nobles.<\/p>\n

La colecci\u00f3n, de car\u00e1cter mixto<\/strong>, propuso tambi\u00e9n para los hombres una feminizaci\u00f3n sutil y elegante. Vimos faldas sobre pantalones<\/strong>, bermudas tipo jogger elevadas con chaquetas sartoriales<\/strong>, boinas invertidas y camisas con aire buc\u00f3lico. En palabras del propio dise\u00f1ador: \u201cuna historia \u00edntima, entre el pasado de mi familia y el presente de mi marca\u201d.<\/p>\n

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\"Jacquemus<\/div>
Jacquemus reinventa lo campesino chic<\/figcaption><\/figure><\/div><\/div>\n

La paleta de colores<\/strong> fue tan sobria como fresca: predominio del blanco y negro con toques inesperados de amarillo lim\u00f3n, azul cielo y rosa empolvado<\/strong>, que aportaron luminosidad sin romper la coherencia visual.<\/p>\n

El front row fue digno del escenario: el actor Matthew McConaughey<\/strong>, el franc\u00e9s Pierre Niney<\/strong>, la cantante Aya Nakamura<\/strong> y el futbolista Jules Kound\u00e9<\/strong> aplaudieron emocionados el cierre del desfile, donde Jacquemus salud\u00f3 visiblemente conmovido.<\/p>\n

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Este regreso al calendario oficial de Par\u00eds, tras a\u00f1os de presentar sus colecciones en escenarios libres como los campos de lavanda o las costas italianas, consolida a Jacquemus como uno de los grandes narradores emocionales de la moda actual<\/strong>.<\/p>\n

Aunque el foco de la semana fue compartido con debuts esperados como el de Jonathan Anderson para Dior Homme<\/strong> y Julian Klausner en Dries Van Noten<\/strong>, el desfile de Jacquemus se sinti\u00f3 m\u00e1s \u00edntimo y autoral, como un poema visual entre c\u00edtricos, encajes y memoria.<\/p>\n

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Jacquemus no solo dise\u00f1\u00f3 ropa, dise\u00f1\u00f3 una escena donde el pasado campesino dialoga con el lujo del presente.<\/strong> Y lo hizo en el lugar m\u00e1s aristocr\u00e1tico de Europa. Provocador, elegante y profundamente personal: as\u00ed cierra Par\u00eds, y as\u00ed se queda Jacquemus, en boca de todos.<\/p>\n

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