{"id":150626,"date":"2025-05-14T09:20:04","date_gmt":"2025-05-14T14:20:04","guid":{"rendered":"https:\/\/graziamagazine.com\/mx\/?post_type=articles&p=150626"},"modified":"2025-05-14T09:20:04","modified_gmt":"2025-05-14T14:20:04","slug":"todas-las-peliculas-que-participan-en-el-festival-de-cannes-2025","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/mx\/articles\/todas-las-peliculas-que-participan-en-el-festival-de-cannes-2025\/","title":{"rendered":"Todas las pel\u00edculas que participan en el Festival de Cannes 2025"},"content":{"rendered":"
\n

El Festival de Cine de Cannes 2025<\/strong>, que se celebra del 13 al 24 de mayo, presenta una Secci\u00f3n Oficial<\/strong> repleta de talento internacional y una destacada presencia espa\u00f1ola.<\/span> Con 22 pel\u00edculas en competencia por la codiciada Palma de Oro<\/strong>, esta edici\u00f3n combina cine de autor, propuestas innovadoras y narrativas comprometidas que prometen emocionar y sorprender al p\u00fablico.<\/span><\/p>\n

Una nueva edici\u00f3n del Festival de Cannes acaba de comenzar y desde el 13 al 24 de mayo en la ciudad francesa se celebra una de las citas m\u00e1s importantes con el cine internacional. En esta 78\u00aa edici\u00f3n que ha comenzado con pol\u00e9mica incluida tras el cambio de \u00faltima hora en el c\u00f3digo de vestimenta sobre la alfombra roja, presenta una Secci\u00f3n Oficial repleta de creaciones internacionales, 22 concretamente, y por primera vez dos pel\u00edculas espa\u00f1olas competir\u00e1n por la Palma de Oro.<\/p>\n

Se trata de las pel\u00edculas Romer\u00eda<\/em>, de Carla Simon y Sirat<\/em>, de Oliver Laxe a las que se unen cintas internacionales fuera de competici\u00f3n como Highest 2 Lowest<\/em>, de Spike Lee o Misi\u00f3n imposible: Sentencia mortal,<\/em> de Christopher McQuarrie con Tom Cruise a la cabeza.<\/p>\n

\n

A continuaci\u00f3n puedes consultar el listado completo de la programaci\u00f3n del Festival de Cannes de 2025.<\/b><\/p>\n

Cannes 2025: pel\u00edculas en competici\u00f3n<\/h2>\n
\n
    \n
  • \u2018Alpha\u2019, de Julia Ducournau<\/li>\n
  • \u2018Die, My Love\u2019, de Lynne Ramsay<\/li>\n
  • \u2018Dossier 137\u2019, de Dominik Moll<\/li>\n
  • \u2018Eagles of the Republic\u2019, de Tarik Saleh<\/li>\n
  • \u2018Eddington\u2019, de Ari Aster<\/li>\n
  • \u2018Fuori\u2019, de Mario Martone<\/li>\n
  • \u2018The History of Sound\u2019, de Oliver Hermanus<\/li>\n
  • \u2018It Was Just an Accident\u2019, de Jafar Panahi<\/li>\n
  • \u2018Jeunes m\u00e8res\u2019, de Jean-Pierre & Luc Dardenne<\/li>\n
  • \u2018La Petite Derni\u00e8re\u2019 (\u2018The Little Sister\u2019), de Hafsia Herzi<\/li>\n
  • \u2018The Mastermind\u2019, de Kelly Reichardt<\/li>\n
  • \u2018Nouvelle Vague\u2019, de \u2018Richard Linklater<\/li>\n
  • \u2018La trama fenicia\u2019, de Wes Anderson<\/li>\n
  • \u2018Renoir\u2019, de Chie Hayakawa<\/li>\n
  • \u2018R\u00e9surrection\u2019, de Bi Gan<\/li>\n
  • \u2018Romer\u00eda\u2019, de Carla Sim\u00f3n<\/li>\n
  • \u2018The Secret Agent\u2019, de Kleber Mendonca Filho<\/li>\n
  • \u2018Sentimental Value\u2019, de Joachim Trier<\/li>\n
  • \u2018Sirat\u2019, de Oliver Laxe<\/li>\n
  • \u2018Sound of Falling\u2019, de Mascha Schilinski<\/li>\n
  • \u2018Two Prosecutors\u2019, de Sergei Loznitsa<\/li>\n
  • \u2018Woman and Child\u2019, de Saeed Roustaee<\/li>\n<\/ul>\n<\/div>\n

    Cannes 2025: fuera de competici\u00f3n<\/h2>\n
    \n
      \n
    • \u2018Partir un jour\u2019, de Am\u00e9lie Bonnin [pel\u00edcula de inauguraci\u00f3n]<\/li>\n
    • \u201913 jours, 13 nuits\u2019, de\u00a0Martin Bourboulon<\/li>\n
    • \u2018Highest 2 Lowest\u2019, de Spike Lee<\/li>\n
    • \u2018Misi\u00f3n imposible: Sentencia mortal\u2019, de Christopher McQuarrie<\/li>\n
    • \u2018La Venue de l\u2019avenir\u2019 (\u2018Colours of Time\u2019), de C\u00e9dric Klapisch<\/li>\n
    • \u2018La femme la plus riche du monde\u2019, de Thierry Klifa<\/li>\n
    • \u2018Vie priv\u00e9e\u2019, de\u00a0Rebecca Zlotowski<\/li>\n<\/ul>\n

      \"Misi\u00f3n<\/p>\n<\/div>\n

      Cannes 2025: Un Certain Regard<\/h2>\n
      \n
        \n
      • \u2018Aisha Can\u2019t Fly Away\u2019, de Morad Mostafa<\/li>\n
      • \u2018Caravan\u2019, de Zuzana Kirchnerov\u00e1<\/li>\n
      • \u2018The Chronology of Water\u2019, de Kristen Stewart<\/li>\n
      • \u2018Eleanor the Great\u2019, de Scarlett Johansson<\/li>\n
      • \u2018L\u2019inconnu de la Grande Arche\u2019 (\u2018The Great Arch\u2019), de St\u00e9phane Demoustier<\/li>\n
      • \u2018Testa o croce?\u2019 (\u2018Heads or Tails?\u2019), de Matteo Zoppis & Alessio Rigo de Righi<\/li>\n
      • \u2018Homebound\u2019, de Neeraj Ghaywan<\/li>\n
      • \u2018O Riso e a Faca\u2019 (\u2018I Only Rest in the Storm\u2019), de Pedro Pinho<\/li>\n
      • \u2018Le citt\u00e0 di pianura\u2019 (\u2018The Last One for the Road\u2019), de Francesco Sossai<\/li>\n
      • \u2018Love Me Tender\u2019, de Anna Cazenave Cambet<\/li>\n
      • \u2018Meteors\u2019, de Hubert Charuel<\/li>\n
      • \u2018My Father\u2019s Shadow\u2019, de Akinola Davies Jr.<\/li>\n
      • \u2018La misteriosa mirada del flamenco\u2019, de Diego C\u00e9spedes<\/li>\n
      • \u2018Once Upon a Time in Gaza\u2019, de Tarzan & Arab Nasser<\/li>\n
      • \u2018A Pale View of Hills\u2019, de Kei Ishikawa<\/li>\n
      • \u2018Pillion\u2019, de Harry Lighton<\/li>\n
      • \u2018The Plague\u2019, de Charlie Polinger<\/li>\n
      • \u2018Promis le ciel\u2019 (\u2018Promised Sky\u2019), de Erige Sehiri<\/li>\n
      • \u2018Un poeta\u2019, de Sim\u00f3n Mesa Soto<\/li>\n
      • \u2018Urchin\u2019, de Harris Dickinson<\/li>\n<\/ul>\n<\/div>\n

        Cannes 2025: Cannes Premi\u00e8re<\/h2>\n
        \n
          \n
        • \u2018Amrum\u2019, de Fatih Akin<\/li>\n
        • \u2018Connemara\u2019, de Alex Lutz<\/li>\n
        • \u2018The Disappearance of Josef Mengele\u2019, de Kirill Serebrennikov<\/li>\n
        • \u2018Love on Trial\u2019, de Koji Fukada<\/li>\n
        • \u2018The Love that Remains\u2019, de Hlynur P\u00e1lmason<\/li>\n
        • \u2018Magalhaes\u2019, de Lav Diaz<\/li>\n
        • \u2018Ma fr\u00e8re\u2019, de\u00a0Lise Akoka & Romane Gueret<\/li>\n
        • \u2018Orwell: 2+2=5\u2019, de Raoul Peck<\/li>\n
        • \u2018Splitsville\u2019, de Michael Angelo Covino<\/li>\n
        • \u2018The Wave (La ola)\u2019, de Sebasti\u00e1n Lelio<\/li>\n<\/ul>\n

          \"Festival<\/p>\n

          Cannes 2025: proyecciones especiales<\/h2>\n
          \n
            \n
          • \u2018Arco\u2019, de Ugo Bienvenu<\/li>\n
          • \u2018Bono: Stories of Surrender\u2019, de Andrew Dominik<\/li>\n
          • \u2018Am\u00e9lie et la M\u00e9taphysique des Tubes\u2019, de Ma\u00eflys Vallade & Liane-Cho Han<\/li>\n
          • \u2018Marcel et Monsieur Pagnol\u2019, de Sylvain Chomet<\/li>\n
          • \u2018Mama\u2019, de Or Sinai<\/li>\n
          • \u2018Dites-lui que je l\u2019aime\u2019 (\u2018Tell Her That I Love Her\u2019), de Romane Bohringer<\/li>\n
          • \u2018Qui Brille au Combat\u2019 (\u2018The Wonderers\u2019), de Jos\u00e9phine Japy<\/li>\n
          • \u2018The Six Billion Dollar Man\u2019, de\u00a0Eugene Jarecki<\/li>\n
          • \u2018L\u2019Homme qui a vu l\u2019Ours qui a vu l\u2019Homme\u2019, de Pierre Richard [proyecci\u00f3n homenaje a Pierre Richard]<\/li>\n<\/ul>\n

            Cannes 2025: proyecciones de medianoche<\/h2>\n
            \n
              \n
            • \u2018The Exit 8\u2019, de Genki Kawamura<\/li>\n
            • \u2018Honey Don\u2019t!\u2019, de Ethan Coen<\/li>\n
            • \u2018Le Roi Soleil\u2019 (\u2018No One Will Know\u2019), de Vincent Ma\u00ebl Cardona<\/li>\n
            • \u2018The ResidenceDalloway\u2019, de Yann Gozlan<\/li>\n
            • \u2018Sons of the Neon Night\u2019, de Juno Mak<\/li>\n<\/ul>\n

              Cannes 2025: Quincena de Cineastas [largometrajes]<\/h2>\n
              \n
                \n
              • \u2018Enzo\u2019, de Robin Campillo [pel\u00edcula de inauguraci\u00f3n]<\/li>\n
              • \u2018Brand New Landscape\u2019, de Yuiga Danzuka<\/li>\n
              • \u2018Dangerous Animals\u2019, de Sean Byrne<\/li>\n
              • \u2018La mort n\u2019existe pas\u2019, de F\u00e9lix Dufour-Laperri\u00e8re<\/li>\n
              • \u2018L\u2019Engloutie\u2019 (\u2018The Girl in the Snow\u2019), de Louise H\u00e9mon<\/li>\n
              • \u2018Girl on Edge\u2019, de Jinghao Zhou<\/li>\n
              • \u2018Les filles d\u00e9sir\u2019 (\u2018The Girls We Want\u2019), de Pr\u00efncia Car<\/li>\n
              • \u2018Que ma volont\u00e9 soit faite\u2019 (\u2018Her Will Be Done\u2019), de Julia Kowalski<\/li>\n
              • \u2018Kokuho\u2019, de Lee Sang-il<\/li>\n
              • \u2018Lucky Lu\u2019, de Lloyd Lee Choi<\/li>\n
              • \u2018Militantropos\u2019, de Yelizaveta Smith, Alina Gorlova & Simon Mozgovyi<\/li>\n
              • \u2018Mirrors No. 3\u2019, de Christian Petzold<\/li>\n
              • \u2018Classe moyenne\u2019 (\u2018The Party\u2019s Over!\u2019), de Antony Cordier<\/li>\n
              • \u2018Amour Apocalypse\u2019 (\u2018Peak Everything\u2019), de Anne \u00c9mond<\/li>\n
              • \u2018The President\u2019s Cake\u2019, de Hasan Hadi<\/li>\n
              • \u2018Indomptables\u2019 (\u2018Untamable\u2019), de Thomas Ngijol<\/li>\n
              • \u2018La danse des renards\u2019 (\u2018Wild Foxes\u2019), de Val\u00e9ry Carnoy<\/li>\n
              • \u2018Yes!\u2019, de Nadav Lapid<\/li>\n
              • \u2018Sorry, Baby\u2019, de Eva Victor[pel\u00edcula de clausura]<\/li>\n<\/ul>\n<\/div>\n

                Cannes 2025: Quincena de Cineastas [cortometrajes]<\/h2>\n
                \n
                  \n
                • \u2018+10k\u2019, de Gala Hern\u00e1ndez L\u00f3pez<\/li>\n
                • \u2018Before the Sea Forgets\u2019, de Ng\u1ecdc Duy L\u00ea<\/li>\n
                • \u2018Blue Heart\u2019, de Samuel Suffren<\/li>\n
                • \u2018The Body\u2019, de Louris van de Geer<\/li>\n
                • \u2018Le pain se l\u00e8ve\u2019, de Alex Boya<\/li>\n
                • \u2018La mort du poisson\u2019, de Eva Lusbaronian<\/li>\n
                • \u2018Karmash\u2019, de Aleem Bukhari<\/li>\n
                • \u2018Loynes\u2019, de Dorian Jespers<\/li>\n
                • \u2018Nervous Energy\u2019, de Eve Liu<\/li>\n
                • \u2018When the Geese Flew\u2019, de Arthur Gay<\/li>\n<\/ul>\n

                  Cannes 2025: Semana de la Cr\u00edtica<\/h2>\n
                  \n
                    \n
                  • \u2018A Useful Ghost\u2019, de Ratchapoom Boonbunchachoke<\/li>\n
                  • \u2018Ciudad sin sue\u00f1o\u2019, de Guillermo Galoe<\/li>\n
                  • \u2018Imago\u2019, de D\u00e9ni Oumar Pitsaev<\/li>\n
                  • \u2018Kika\u2019, de Alexe Poukine<\/li>\n
                  • \u2018Left-Handed Girl\u2019, de Shih-Ching Tsou<\/li>\n
                  • \u2018Nino\u2019, de Pauline Locques<\/li>\n
                  • \u2018Reedland\u2019, de Sven Bresser<\/li>\n
                  • \u2018L\u2019int\u00e9r\u00eat d\u2019Adam\u2019, de\u00a0Laura Wandel [pel\u00edcula de inauguraci\u00f3n, fuera de competici\u00f3n]<\/li>\n<\/ul>\n

                    *Im\u00e1genes: Getty Images e Instagram<\/em><\/p>\n

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