{"id":8054,"date":"2021-07-08T23:25:19","date_gmt":"2021-07-08T23:25:19","guid":{"rendered":"https:\/\/graziamagazine.com\/?post_type=articles&p=196737"},"modified":"2021-07-08T23:25:19","modified_gmt":"2021-07-08T23:25:19","slug":"jean-paul-gaultier-beauty-2021","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/me\/articles\/jean-paul-gaultier-beauty-2021\/","title":{"rendered":"Soaked, Sleek And Slick. Plastered Locks Reign Supreme At Jean Paul Gaultier Haute Couture"},"content":{"rendered":"
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Credit: Instagram\/@jeanpaulgaultier<\/figcaption><\/figure>\n

For Jean Paul Gaultier<\/a>‘s first couture offering without its namesake designer, the house enlisted Sacai<\/a>‘s Chitose Abe to create a powerful collection that riffed on Gaultier’s legendary avant-garde style. It was a concept that saw the clothes reflect competing aesthetics, all collated in a spectacular mash-up of Gaultier house codes; a bold mix of the masculine and the feminine, warranting hair and makeup that followed a similar thought.<\/p>\n

The result? Moisture-surged hairstyles that plastered the face courtesy of iconic hair director Guido Palau<\/a>, to underpin the unconventional glamour of the show. Models’ hair was worn long, lank and close to the scalp, as if the wearer had been doused in water right before stepping on to the runway. But unlike freshly-washed locks, the hair didn’t hang loose or drip \u2013 it stuck, staid and stiff, as if fixed by gel.<\/p>\n

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A post shared by Jean Paul Gaultier (@jeanpaulgaultier)<\/a><\/p>\n<\/div>\n<\/blockquote>\n