{"id":27470,"date":"2022-09-17T18:01:16","date_gmt":"2022-09-17T14:01:16","guid":{"rendered":"https:\/\/graziamagazine.com\/me\/?post_type=articles&p=27470"},"modified":"2022-09-17T18:01:16","modified_gmt":"2022-09-17T14:01:16","slug":"michael-kors-brings-holiday-glamour-to-the-city","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/me\/articles\/michael-kors-brings-holiday-glamour-to-the-city\/","title":{"rendered":"Michael Kors Brings Holiday Glamour To The City"},"content":{"rendered":"
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Instagram @michaelkors<\/figcaption><\/figure>\n

The major talking point from the Michael Kors Collection<\/a> Spring Summer \u201923<\/a> presentation in New York this afternoon was Anne Hathaway, who revived a look from\u00a0The Devils Wears Prada<\/em><\/a> (a chic faux-alligator brown coat, paired with a fringe) to sit front row next to Anna Wintour. It was a great full-circle moment, and a testament to the fact that Hathaway seems incapable of ageing, but it certainly wasn\u2019t the only key takeaway from Kors\u2019 resort wear-gone-sexy S\/S \u201923 outing.<\/p>\n

A supermodel-filled runway (Bella Hadid, Natasha Poly, Ma\u0142gosia Bela) revealed an array of sexy, sleek clothing that evoked the effortless heyday of New York City in the 1970s. Kors was paying homage to Halston, the mononymous icon of American glamour whose life was captured in a Ryan Murphy series last year, and Halston\u2019s contemporaries Stephen Burrows, and Rudi Gernreich. Kors is, in many ways, the natural successor of that triptych, having built an empire with his canny ability to intuit what makes American women feel effortlessly sexy.<\/p>\n

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Instagram @michaelkors<\/figcaption><\/figure>\n

Sexiness was, in fact, a key pillar of this collection\u2014the opening look was a Michelle Pfieffer-in-Scarface-<\/em>style white suit, though in this iteration, the blazer was even lower cut and the skirt slit even higher. Sarong-style skirts were worn with skimpy bralettes or crisp shirts unbuttoned to the navel. Kors\u2019 signature stretch-jersey eveningwear came with plunging necklines and his silk caftans with thigh slits. It all amounted to a public declaration: skin is back.<\/p>\n

Kors has long been referred to as the \u201cking of jet set\u201d, and in the past, he designed for the women who split their time between a Park Avenue apartment and being whisked off to some tropical locale on their husband\u2019s private jet. Kors has been modernising the Michael Kors woman in the years since, aware that his customer nowadays is A) more likely to pay for the jet themselves, and B) doesn\u2019t strictly delineate between \u2018city\u2019 and \u2018resort\u2019 in the same binary way.<\/p>\n

\u201cLondon is full of people wearing flip-flops to work instead of the beach,\u201d Kors summarised to\u00a0The Guardian<\/em><\/a>. \u201cWhat we wear on vacation is what we wear in the city.\u201d That city\/resort hybrid was enforced by the runway, which was lined with palm fronds, through an abundance of tropical prints, slinky black beachwear, and lightweight cashmere knits, the latter tied effortlessly over the shoulders. The colour palette\u2014minimal neutrals with pops of red, green, and gold\u2014added a festive quality that was hard not to warm to. See you in Saint Barts.<\/p>\n

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