{"id":22180,"date":"2022-05-10T10:52:49","date_gmt":"2022-05-10T06:52:49","guid":{"rendered":"https:\/\/graziamagazine.com\/me\/?post_type=articles&#038;p=22180"},"modified":"2022-05-10T10:53:37","modified_gmt":"2022-05-10T06:53:37","slug":"grazia-the-journey-editors-letter-end","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/me\/articles\/grazia-the-journey-editors-letter-end\/","title":{"rendered":"Editor&#8217;s Letter: The Beginning Of The End"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_22501\" aria-describedby=\"caption-attachment-22501\" style=\"width: 1024px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-22501 size-full\" src=\"https:\/\/graziamagazine.com\/me\/wp-content\/uploads\/sites\/16\/2022\/04\/GME_003_DigitalCOVER_3.jpg\" alt=\"\" width=\"1024\" height=\"1336\" \/><figcaption id=\"caption-attachment-22501\" class=\"wp-caption-text\">Coat with Leather Panel Details, <strong>HERM\u00c8S <\/strong>CREATIVE DIRECTION <strong>DAN\u00c9 STOJANOVIC<\/strong><br \/>PHOTOGRAPHY <strong>AVAN RAI<\/strong> FASHION DIRECTION <strong>HARMAN ACHINT<\/strong> HAIR &amp; MAKE UP <strong>MANUEL LOSADA<span class=\"Apple-converted-space\">\u00a0 <\/span><\/strong>PRODUCER <strong>NATASCHA HAWKE<\/strong> MODEL <strong>DIPTI SHARMA \/ ANIMA CREATIVE MANAGEMENT\u00a0<\/strong><\/figcaption><\/figure>\n<p>\u201cI think I\u2019m going to die.\u201d There it was. A cry for help. A sudden realisation. A bid for reassurance. An admission of fear. An acknowledgement of her own mortality. All in one sentence. I let those words float in the air then fall to the floor in silence.<\/p>\n<p>Full of vision boards and what I know now to be toxic positivity \u2013 the self-help book of the moment was <em>The Secret<\/em> \u2013 I was convinced I could will my mother back to good health with the power of my thoughts. And even at my most evolved, the best I could do at the time was, \u201cOf course you\u2019re not, why would say that?\u201d It still remains a searing source of guilt that I didn\u2019t offer her the space to process her feelings because I didn\u2019t possess the maturity, the vocabulary, and the roadmap for the path ahead of us.<\/p>\n<p>Someone who does, however, is Alua Arthur, who I encountered while compiling our series of essays on the impact Virgil Abloh has left on our culture and community. \u201cWhy should we think about death? Because it\u2019s the <em>only<\/em> thing that creates context for life. The only thing. If it wasn\u2019t for death, nothing else would matter,\u201d she insists. And as a death doula, and founder of the end-of-life planning, training and support organisation Going with Grace, Alua helps others navigate this complex journey.<\/p>\n<p>\u201cIn my belief, death work at its core is a form of activism. You\u2019re a patient advocate, you\u2019re an advocate for the family. This is activism cloaked in love.\u201d Describing the role of a death doula, she asks, \u201cWhat does love look like in the face of death? To me, it looks like supporting families and loved ones to expand their innate capacity to be with their dying.\u201d<\/p>\n<p>My mother\u2019s name was Grace which I took as a sign to enrol for Going with Grace\u2019s End of Life Training programme to piece together the way I should have responded when faced with losing her. \u201cI think acceptance of our own mortality is an incredibly high bar for anybody,\u201d Alua admits, \u201cbut we can start to think about what we want to experience in the time that we have left \u2013 and I use <em>experience<\/em> rather than <em>do<\/em>. It might be the work, it might be the book, but it might also be conversations about forgiveness. Often when I ask that question, people start out with the practical and then they quickly shift into the emotional and the esoteric.\u201d<\/p>\n<p>Making the distinction between <em>experiencing<\/em> and <em>doing<\/em> is as important in life as it is when approaching death. \u201cIn this modern society, we have a very hard time separating ourselves from what we do. We focus so much on what we do, and how we do it, what it means about us when we do it, and what it tells the world when we don\u2019t.\u201d Alua calls this the weaponisation of purpose. \u201cSo I often ask people, if they strip away any link to the work they do, or any relational identity, what remains? Because our core identities are one of the things that we need when we die. When you become ill, you won\u2019t be as productive as you used to be. So then, who are you when you take that away? Who are you in the absence of what you do? Who are you in the absence of who you love and who loves you? That\u2019s a difficult question for many of us to grapple with, but I challenge people to spend some time on it.\u201d<\/p>\n<p>Studying to be a death doula comes with its caveats. For those, like me, who have experienced the loss of a loved one, it can be an opportunity for healing, and a chance to turn pain into purpose, but it cannot, she stresses, exist as a channel for\u00a0 unresolved grief. And Alua warns, \u201cWhile we work in creating a peaceful death, it is not our role to confront anybody\u2019s fear of or denial of death directly unless we are asked to do so.\u201d<\/p>\n<p>Like the stories in this book, the journeys we\u2019re on \u2013 be they allegorical, metaphysical, spiritual, emotional, real or imagined \u2013 are as unique as we are, yet we\u2019re all bound by this single inevitability.<\/p>\n<p>My hope was that learning about conscious dying; legacy, rituals, and meaning making; and bereavement and burnout would somehow become a shield to protect my future self, but I sense it should well turn out to be the opposite \u2013 a lowering of my defenses, and a whisper to the storm that when it comes, I\u2019ll be ready. And perhaps, next time, I can rewrite the ending.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-22182\" src=\"https:\/\/graziamagazine.com\/me\/wp-content\/uploads\/sites\/16\/2022\/04\/alison-tay-sig.jpg?w=179\" alt=\"\" width=\"179\" height=\"62\" \/><\/p>\n<p><strong>ALISON TAY<\/strong><br \/>\n@THESTYLEEDITOR<br \/>\nALISON.TAY@ITP.COM<\/p>\n<p>&nbsp;<\/p>\n<p><em>This Editor&#8217;s Letter is published in the third edition of GRAZIA Middle East. Click <a href=\"https:\/\/graziamagazine.com\/me\/daily-edit\/the-journey\/\"><strong>here<\/strong><\/a> to discover more from THE JOURNEY.\u00a0<\/em><\/p>\n","protected":false},"author":217,"featured_media":22492,"template":"","format":"standard","categories":[4254],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>GRAZIA THE JOURNEY Editor&#039;s Letter: The Beginning Of The End<\/title>\n<meta name=\"description\" content=\"GRAZIA&#039;s Editor-in-Chief shares her take on what &#039;the journey&#039; means to her, focusing on the end, for GRAZIA: THE JOURNEY.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/me\/articles\/grazia-the-journey-editors-letter-end\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta 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