{"version":"1.0","provider_name":"Grazia Middle East","provider_url":"https:\/\/graziamagazine.com\/me","author_name":"Isabelle Truman","author_url":"https:\/\/graziamagazine.com\/me\/author\/itruman\/","title":"Anya Taylor-Joy\u2019s New Psychological Thriller Could Be The Best Horror Movie Of 2021","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"9NViE3W10C\"><a href=\"https:\/\/graziamagazine.com\/me\/articles\/anya-taylor-joy-last-night-in-soho\/\">Anya Taylor-Joy\u2019s New Psychological Thriller Could Be The Best Horror Movie Of 2021<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/graziamagazine.com\/me\/articles\/anya-taylor-joy-last-night-in-soho\/embed\/#?secret=9NViE3W10C\" width=\"600\" height=\"338\" title=\"&#8220;Anya Taylor-Joy\u2019s New Psychological Thriller Could Be The Best Horror Movie Of 2021&#8221; &#8212; Grazia Middle East\" data-secret=\"9NViE3W10C\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/graziamagazine.com\/me\/wp-content\/uploads\/sites\/16\/2021\/05\/Screenshot-2021-05-26-at-16.49.21.png?fit=1280%2C677","thumbnail_width":1280,"thumbnail_height":677,"description":"Since bursting onto the scene in The Queen\u2019s Gambit, Anya Taylor-Joy has fast become one of Hollywood\u2019s most sought-after faces. The actress was all anyone could talk about during awards season, cleaning up for both her role in the hit Netflix series as well as for her performance in the recent remake of the Jane Austen classic, Emma.\u00a0"}