{"id":196284,"date":"2026-07-23T08:00:28","date_gmt":"2026-07-23T06:00:28","guid":{"rendered":"https:\/\/graziamagazine.com\/es\/?post_type=articles&#038;p=196284"},"modified":"2026-07-23T08:00:28","modified_gmt":"2026-07-23T06:00:28","slug":"la-primera-campana-de-maria-grazia-chiuri-para-fendi","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/es\/articles\/la-primera-campana-de-maria-grazia-chiuri-para-fendi\/","title":{"rendered":"La primera campa\u00f1a de Maria Grazia Chiuri para FENDI"},"content":{"rendered":"<p><span data-olk-copy-source=\"MessageBody\">La campa\u00f1a de\u00a0<span class=\"marktesolqmes\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FENDI<\/span>\u00a0para la primera colecci\u00f3n Oto\u00f1o\/Invierno 2026-2027 de Maria Grazia Chiuri, fotografiada por Jo Ann Callis, se centra en la ambivalencia de la conexi\u00f3n humana: nuestro deseo de conectar y nuestra incapacidad simult\u00e1nea para hacerlo plenamente.<\/span><\/p>\n<p>La conexi\u00f3n es fundamental para la existencia humana; sin ella, nos vemos disminuidos. Hay un anhelo inherente. Al mismo tiempo, hay un instinto de proteger nuestra vulnerabilidad. Dentro de esta tensi\u00f3n reside una negociaci\u00f3n constante: cu\u00e1nto estamos dispuestos a dar y cu\u00e1nto necesitamos de los dem\u00e1s.<\/p>\n<p>En definitiva, por mucho que lo intentemos, somos incapaces de acceder plenamente a la vida interior de otra persona. Sin embargo, este esfuerzo persiste, impulsado por nuestra necesidad de conexi\u00f3n.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-196289\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/thumb-fendi-campaign-1440x1080-1.jpg\" alt=\"\" width=\"1440\" height=\"1080\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/thumb-fendi-campaign-1440x1080-1.jpg 1440w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/thumb-fendi-campaign-1440x1080-1-300x225.jpg 300w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/thumb-fendi-campaign-1440x1080-1-1024x768.jpg 1024w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/thumb-fendi-campaign-1440x1080-1-768x576.jpg 768w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/thumb-fendi-campaign-1440x1080-1-400x300.jpg 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/thumb-fendi-campaign-1440x1080-1-155x116.jpg 155w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>El proceso de Callis comenz\u00f3 con un cuaderno de bocetos, donde esboz\u00f3 los temas y gestos que dan forma a la campa\u00f1a y expresan la interacci\u00f3n entre dos personas, a menudo entre un hombre y una mujer.<\/p>\n<p>La visi\u00f3n de Chiuri para\u00a0<span class=\"marktesolqmes\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FENDI<\/span>\u00a0se basa en el concepto de un armario compartido. El paralelismo entre la ropa femenina y la masculina refleja tanto cualidades compartidas como dualidades, resaltando los puntos en com\u00fan a la vez que se reconocen las diferencias. Esta interacci\u00f3n sugiere que la uniformidad puede, parad\u00f3jicamente, intensificar las expresiones de masculinidad y feminidad. A menudo, se percibe una mayor feminidad al vestir ropa masculina.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-196287\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1.jpg\" alt=\"\" width=\"1440\" height=\"810\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1.jpg 1440w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-300x169.jpg 300w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-1024x576.jpg 1024w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-768x432.jpg 768w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-400x225.jpg 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-155x87.jpg 155w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>La obra se concibe como una narraci\u00f3n, donde cada imagen existe como un momento suspendido dentro de una secuencia mayor. Surge un di\u00e1logo a trav\u00e9s del gesto y relaciones espaciales, particularmente a trav\u00e9s de la distancia que se mantiene entre los sujetos. Si bien los individuos pueden ocupar el mismo espacio f\u00edsico, persiste una sutil tensi\u00f3n emocional y f\u00edsica.<\/p>\n<p>Se prest\u00f3 especial atenci\u00f3n a los gestos, ya que cada movimiento funcionaba como un reflejo de un mundo interior: una negociaci\u00f3n continua entre las dimensiones masculina y femenina.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-196288\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_17.07-1440x810-1.jpg\" alt=\"\" width=\"1440\" height=\"810\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_17.07-1440x810-1.jpg 1440w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_17.07-1440x810-1-300x169.jpg 300w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_17.07-1440x810-1-1024x576.jpg 1024w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_17.07-1440x810-1-768x432.jpg 768w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_17.07-1440x810-1-400x225.jpg 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_17.07-1440x810-1-155x87.jpg 155w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>La campa\u00f1a se inspira en Pina Bausch, particularmente en su exploraci\u00f3n de la tensi\u00f3n emocional expresada a trav\u00e9s de la proximidad f\u00edsica. Roma se convirti\u00f3 en una presencia esencial en la obra. La historia compleja de la ciudad, visible en su arquitectura, interiores y ruinas, resuena con el marco conceptual de la misma.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-196287\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1.jpg\" alt=\"\" width=\"1440\" height=\"810\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1.jpg 1440w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-300x169.jpg 300w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-1024x576.jpg 1024w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-768x432.jpg 768w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-400x225.jpg 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2026\/07\/16x9_FENDI-FW26-27-Campaign-by-Jo-Ann-Callis_19.07-1440x810-1-155x87.jpg 155w\" sizes=\"(max-width: 1440px) 100vw, 1440px\" \/><\/p>\n<p>El escenario en s\u00ed requiri\u00f3 un cambio de enfoque. Elementos como apliques y cortinas, y la interacci\u00f3n de la tela con la luz, se convirtieron en componentes visuales centrales. El ambiente, combinado con la ropa y los accesorios, crea una sensaci\u00f3n de distanciamiento de la vida cotidiana: una atm\u00f3sfera casi on\u00edrica. La intenci\u00f3n es invitar al espectador a esta realidad construida, evocando la herencia cinematogr\u00e1fica de Roma y\u00a0<span class=\"marktesolqmes\" data-markjs=\"true\" data-ogac=\"\" data-ogab=\"\" data-ogsc=\"\" data-ogsb=\"\">FENDI<\/span>.<\/p>\n<p><em>*Im\u00e1genes: cortes\u00eda<\/em><\/p>\n","protected":false},"author":11653,"featured_media":196285,"template":"","format":"standard","categories":[1],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>La primera campa\u00f1a de Maria Grazia Chiuri para FENDI<\/title>\n<meta name=\"description\" content=\"Fotografiada por Jo Ann Callis, esta primera colecci\u00f3n Oto\u00f1o\/Invierno 2026-2027 se centra en la ambivalencia de la conexi\u00f3n humana.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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