{"id":184639,"date":"2025-05-14T08:30:45","date_gmt":"2025-05-14T06:30:45","guid":{"rendered":"https:\/\/graziamagazine.com\/es\/?post_type=articles&p=184639"},"modified":"2025-05-13T23:43:17","modified_gmt":"2025-05-13T21:43:17","slug":"todas-las-peliculas-que-participan-en-el-festival-de-cannes-2025","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/es\/articles\/todas-las-peliculas-que-participan-en-el-festival-de-cannes-2025\/","title":{"rendered":"Todas las pel\u00edculas que participan en el Festival de Cannes 2025"},"content":{"rendered":"
\n

El Festival de Cine de Cannes 2025<\/strong>, que se celebra del 13 al 24 de mayo, presenta una Secci\u00f3n Oficial<\/strong> repleta de talento internacional y una destacada presencia espa\u00f1ola.<\/span> Con 22 pel\u00edculas en competencia por la codiciada Palma de Oro<\/strong>, esta edici\u00f3n combina cine de autor, propuestas innovadoras y narrativas comprometidas que prometen emocionar y sorprender al p\u00fablico.<\/span><\/p>\n

Una nueva edici\u00f3n del Festival de Cannes acaba de comenzar y desde el 13 al 24 de mayo en la ciudad francesa se celebra una de las citas m\u00e1s importantes con el cine internacional. En esta 78\u00aa edici\u00f3n que ha comenzado con pol\u00e9mica incluida tras el cambio de \u00faltima hora en el c\u00f3digo de vestimenta sobre la alfombra roja, presenta una Secci\u00f3n Oficial repleta de creaciones internacionales, 22 concretamente, y por primera vez dos pel\u00edculas espa\u00f1olas competir\u00e1n por la Palma de Oro.<\/p>\n

Se trata de las pel\u00edculas Romer\u00eda<\/em>, de Carla Simon y Sirat<\/em>, de Oliver Laxe a las que se unen cintas internacionales fuera de competici\u00f3n como Highest 2 Lowest<\/em>, de Spike Lee o Misi\u00f3n imposible: Sentencia mortal,<\/em> de Christopher McQuarrie con Tom Cruise a la cabeza.<\/p>\n

\n
<\/blockquote>\n

A continuaci\u00f3n puedes consultar el listado completo de la programaci\u00f3n del Festival de Cannes de 2025.<\/b><\/p>\n

Cannes 2025: pel\u00edculas en competici\u00f3n<\/h2>\n
\n
    \n
  • ‘Alpha’, de Julia Ducournau<\/li>\n
  • ‘Die, My Love’, de Lynne Ramsay<\/li>\n
  • ‘Dossier 137’, de Dominik Moll<\/li>\n
  • ‘Eagles of the Republic’, de Tarik Saleh<\/li>\n
  • ‘Eddington’, de Ari Aster<\/li>\n
  • ‘Fuori’, de Mario Martone<\/li>\n
  • ‘The History of Sound’, de Oliver Hermanus<\/li>\n
  • ‘It Was Just an Accident’, de Jafar Panahi<\/li>\n
  • ‘Jeunes m\u00e8res’, de Jean-Pierre & Luc Dardenne<\/li>\n
  • ‘La Petite Derni\u00e8re’ (‘The Little Sister’), de Hafsia Herzi<\/li>\n
  • ‘The Mastermind’, de Kelly Reichardt<\/li>\n
  • ‘Nouvelle Vague’, de ‘Richard Linklater<\/li>\n
  • ‘La trama fenicia’, de Wes Anderson<\/li>\n
  • ‘Renoir’, de Chie Hayakawa<\/li>\n
  • ‘R\u00e9surrection’, de Bi Gan<\/li>\n
  • ‘Romer\u00eda’, de Carla Sim\u00f3n<\/li>\n
  • ‘The Secret Agent’, de Kleber Mendonca Filho<\/li>\n
  • ‘Sentimental Value’, de Joachim Trier<\/li>\n
  • ‘Sirat’, de Oliver Laxe<\/li>\n
  • ‘Sound of Falling’, de Mascha Schilinski<\/li>\n
  • ‘Two Prosecutors’, de Sergei Loznitsa<\/li>\n
  • ‘Woman and Child’, de Saeed Roustaee<\/li>\n<\/ul>\n<\/div>\n

    Cannes 2025: fuera de competici\u00f3n<\/h2>\n
    \n
      \n
    • ‘Partir un jour’, de Am\u00e9lie Bonnin [pel\u00edcula de inauguraci\u00f3n]<\/li>\n
    • ’13 jours, 13 nuits’, de\u00a0Martin Bourboulon<\/li>\n
    • ‘Highest 2 Lowest’, de Spike Lee<\/li>\n
    • ‘Misi\u00f3n imposible: Sentencia mortal’, de Christopher McQuarrie<\/li>\n
    • ‘La Venue de l’avenir’ (‘Colours of Time’), de C\u00e9dric Klapisch<\/li>\n
    • ‘La femme la plus riche du monde’, de Thierry Klifa<\/li>\n
    • ‘Vie priv\u00e9e’, de\u00a0Rebecca Zlotowski<\/li>\n<\/ul>\n

      \"Misi\u00f3n<\/p>\n<\/div>\n

      Cannes 2025: Un Certain Regard<\/h2>\n
      \n
        \n
      • ‘Aisha Can’t Fly Away’, de Morad Mostafa<\/li>\n
      • ‘Caravan’, de Zuzana Kirchnerov\u00e1<\/li>\n
      • ‘The Chronology of Water’, de Kristen Stewart<\/li>\n
      • ‘Eleanor the Great’, de Scarlett Johansson<\/li>\n
      • ‘L\u2019inconnu de la Grande Arche’ (‘The Great Arch’), de St\u00e9phane Demoustier<\/li>\n
      • ‘Testa o croce?’ (‘Heads or Tails?’), de Matteo Zoppis & Alessio Rigo de Righi<\/li>\n
      • ‘Homebound’, de Neeraj Ghaywan<\/li>\n
      • ‘O Riso e a Faca’ (‘I Only Rest in the Storm’), de Pedro Pinho<\/li>\n
      • ‘Le citt\u00e0 di pianura’ (‘The Last One for the Road’), de Francesco Sossai<\/li>\n
      • ‘Love Me Tender’, de Anna Cazenave Cambet<\/li>\n
      • ‘Meteors’, de Hubert Charuel<\/li>\n
      • ‘My Father’s Shadow’, de Akinola Davies Jr.<\/li>\n
      • ‘La misteriosa mirada del flamenco’, de Diego C\u00e9spedes<\/li>\n
      • ‘Once Upon a Time in Gaza’, de Tarzan & Arab Nasser<\/li>\n
      • ‘A Pale View of Hills’, de Kei Ishikawa<\/li>\n
      • ‘Pillion’, de Harry Lighton<\/li>\n
      • ‘The Plague’, de Charlie Polinger<\/li>\n
      • ‘Promis le ciel’ (‘Promised Sky’), de Erige Sehiri<\/li>\n
      • ‘Un poeta’, de Sim\u00f3n Mesa Soto<\/li>\n
      • ‘Urchin’, de Harris Dickinson<\/li>\n<\/ul>\n<\/div>\n

        Cannes 2025: Cannes Premi\u00e8re<\/h2>\n
        \n
          \n
        • ‘Amrum’, de Fatih Akin<\/li>\n
        • ‘Connemara’, de Alex Lutz<\/li>\n
        • ‘The Disappearance of Josef Mengele’, de Kirill Serebrennikov<\/li>\n
        • ‘Love on Trial’, de Koji Fukada<\/li>\n
        • ‘The Love that Remains’, de Hlynur P\u00e1lmason<\/li>\n
        • ‘Magalhaes’, de Lav Diaz<\/li>\n
        • ‘Ma fr\u00e8re’, de\u00a0Lise Akoka & Romane Gueret<\/li>\n
        • ‘Orwell: 2+2=5’, de Raoul Peck<\/li>\n
        • ‘Splitsville’, de Michael Angelo Covino<\/li>\n
        • ‘The Wave (La ola)’, de Sebasti\u00e1n Lelio<\/li>\n<\/ul>\n

          \"Festival<\/p>\n

          Cannes 2025: proyecciones especiales<\/h2>\n
          \n
            \n
          • ‘Arco’, de Ugo Bienvenu<\/li>\n
          • ‘Bono: Stories of Surrender’, de Andrew Dominik<\/li>\n
          • ‘Am\u00e9lie et la M\u00e9taphysique des Tubes’, de Ma\u00eflys Vallade & Liane-Cho Han<\/li>\n
          • ‘Marcel et Monsieur Pagnol’, de Sylvain Chomet<\/li>\n
          • ‘Mama’, de Or Sinai<\/li>\n
          • ‘Dites-lui que je l’aime’ (‘Tell Her That I Love Her’), de Romane Bohringer<\/li>\n
          • ‘Qui Brille au Combat’ (‘The Wonderers’), de Jos\u00e9phine Japy<\/li>\n
          • ‘The Six Billion Dollar Man’, de\u00a0Eugene Jarecki<\/li>\n
          • ‘L\u2019Homme qui a vu l\u2019Ours qui a vu l\u2019Homme’, de Pierre Richard [proyecci\u00f3n homenaje a Pierre Richard]<\/li>\n<\/ul>\n

            Cannes 2025: proyecciones de medianoche<\/h2>\n
            \n
              \n
            • ‘The Exit 8’, de Genki Kawamura<\/li>\n
            • ‘Honey Don’t!’, de Ethan Coen<\/li>\n
            • ‘Le Roi Soleil’ (‘No One Will Know’), de Vincent Ma\u00ebl Cardona<\/li>\n
            • ‘The ResidenceDalloway’, de Yann Gozlan<\/li>\n
            • ‘Sons of the Neon Night’, de Juno Mak<\/li>\n<\/ul>\n

              Cannes 2025: Quincena de Cineastas [largometrajes]<\/h2>\n
              \n
                \n
              • ‘Enzo’, de Robin Campillo [pel\u00edcula de inauguraci\u00f3n]<\/li>\n
              • ‘Brand New Landscape’, de Yuiga Danzuka<\/li>\n
              • ‘Dangerous Animals’, de Sean Byrne<\/li>\n
              • ‘La mort n’existe pas’, de F\u00e9lix Dufour-Laperri\u00e8re<\/li>\n
              • ‘L’Engloutie’ (‘The Girl in the Snow’), de Louise H\u00e9mon<\/li>\n
              • ‘Girl on Edge’, de Jinghao Zhou<\/li>\n
              • ‘Les filles d\u00e9sir’ (‘The Girls We Want’), de Pr\u00efncia Car<\/li>\n
              • ‘Que ma volont\u00e9 soit faite’ (‘Her Will Be Done’), de Julia Kowalski<\/li>\n
              • ‘Kokuho’, de Lee Sang-il<\/li>\n
              • ‘Lucky Lu’, de Lloyd Lee Choi<\/li>\n
              • ‘Militantropos’, de Yelizaveta Smith, Alina Gorlova & Simon Mozgovyi<\/li>\n
              • ‘Mirrors No. 3’, de Christian Petzold<\/li>\n
              • ‘Classe moyenne’ (‘The Party’s Over!’), de Antony Cordier<\/li>\n
              • ‘Amour Apocalypse’ (‘Peak Everything’), de Anne \u00c9mond<\/li>\n
              • ‘The President’s Cake’, de Hasan Hadi<\/li>\n
              • ‘Indomptables’ (‘Untamable’), de Thomas Ngijol<\/li>\n
              • ‘La danse des renards’ (‘Wild Foxes’), de Val\u00e9ry Carnoy<\/li>\n
              • ‘Yes!’, de Nadav Lapid<\/li>\n
              • ‘Sorry, Baby’, de Eva Victor[pel\u00edcula de clausura]<\/li>\n<\/ul>\n<\/div>\n

                Cannes 2025: Quincena de Cineastas [cortometrajes]<\/h2>\n
                \n
                  \n
                • ‘+10k’, de Gala Hern\u00e1ndez L\u00f3pez<\/li>\n
                • ‘Before the Sea Forgets’, de Ng\u1ecdc Duy L\u00ea<\/li>\n
                • ‘Blue Heart’, de Samuel Suffren<\/li>\n
                • ‘The Body’, de Louris van de Geer<\/li>\n
                • ‘Le pain se l\u00e8ve’, de Alex Boya<\/li>\n
                • ‘La mort du poisson’, de Eva Lusbaronian<\/li>\n
                • ‘Karmash’, de Aleem Bukhari<\/li>\n
                • ‘Loynes’, de Dorian Jespers<\/li>\n
                • ‘Nervous Energy’, de Eve Liu<\/li>\n
                • ‘When the Geese Flew’, de Arthur Gay<\/li>\n<\/ul>\n

                  Cannes 2025: Semana de la Cr\u00edtica<\/h2>\n
                  \n
                    \n
                  • ‘A Useful Ghost’, de Ratchapoom Boonbunchachoke<\/li>\n
                  • ‘Ciudad sin sue\u00f1o’, de Guillermo Galoe<\/li>\n
                  • ‘Imago’, de D\u00e9ni Oumar Pitsaev<\/li>\n
                  • ‘Kika’, de Alexe Poukine<\/li>\n
                  • ‘Left-Handed Girl’, de Shih-Ching Tsou<\/li>\n
                  • ‘Nino’, de Pauline Locques<\/li>\n
                  • ‘Reedland’, de Sven Bresser<\/li>\n
                  • ‘L’int\u00e9r\u00eat d’Adam’, de\u00a0Laura Wandel [pel\u00edcula de inauguraci\u00f3n, fuera de competici\u00f3n]<\/li>\n<\/ul>\n

                    *Im\u00e1genes: Getty Images e Instagram<\/em><\/p>\n

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