{"id":179138,"date":"2024-09-23T11:57:54","date_gmt":"2024-09-23T09:57:54","guid":{"rendered":"https:\/\/graziamagazine.com\/es\/?post_type=articles&p=179138"},"modified":"2024-09-23T11:57:54","modified_gmt":"2024-09-23T09:57:54","slug":"milan-fashion-week-ferragamo-ss25","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/es\/articles\/milan-fashion-week-ferragamo-ss25\/","title":{"rendered":"Milan Fashion Week: Ferragamo SS25"},"content":{"rendered":"

Para la primavera-verano de 2025, Maximilian Davis explora la historia de\u00a0Ferragamo<\/span>\u00a0con el ballet, celebrando su elegancia expresiva y encontrando nuevas armon\u00edas entre su trayectoria personal y la historia de la marca.<\/p>\n

<\/p>\n

Un momento \u00edntimo captado entre Salvatore\u00a0Ferragamo<\/span>\u00a0y la bailarina y antrop\u00f3loga Katherine Dunham; Rudolf Nureyev calzando unas bailarinas\u00a0Ferragamo<\/span> hechas a medida en los a\u00f1os ochenta. Un zapato meticulosamente ajustado a una mujer negra en la Florencia de mediados de siglo; la sexualidad liberada de un icono radical. Fotograf\u00edas instant\u00e1neas en el tiempo, ahora en su m\u00e1xima esencia. La libertad expresada a trav\u00e9s de un armario.<\/p>\n

<\/p>\n

\u00abSiempre he incorporado distintas \u00e9pocas hist\u00f3ricas a mi trabajo, \u00e9pocas que me resultan familiares y que reflejan mi herencia\u00bb, dice Davis.<\/p>\n

\u00abEn Ferragamo<\/span>, he buscado similitudes, y lo bonito de esta marca es que hay tantas historias diferentes con las que te puedes identificar. Cada zapato tiene un significado. Cada zapato tiene una historia\u00bb.<\/p><\/blockquote>\n

<\/p>\n

A trav\u00e9s del vocabulario visual de\u00a0Ferragamo<\/span>, se une el esp\u00edritu del ballet de d\u00e9cadas dispares. Los uniformes de los ensayos son la inspiraci\u00f3n para un algod\u00f3n de cachemira de segunda piel superpuesto, retorcido y atado, mientras que la libertad del movimiento se materializa a trav\u00e9s de siluetas abombadas: abrigos y vestidos confeccionados en nylon de seda, ante y organza por igual. El vestuario ochentero de Nureyev sirve de inspiraci\u00f3n para la sastrer\u00eda oversize y los trajes de deporte t\u00e9cnicos; el glamour de mediados de siglo de Dunham se materializa en bordados de lentejuelas, modernizados con un tratamiento de resina.<\/p>\n

<\/p>\n

La colecci\u00f3n tambi\u00e9n aparece impregnada de la energ\u00eda del Caribe: denim deshilachado y desgastado; formas org\u00e1nicas; mocasines de goma gelatinosa. Los acabados en crudo contrastan con la pureza de la colecci\u00f3n; los dobladillos pronunciados combinan el romanticismo con el fetichismo.<\/p>\n

<\/p>\n

Las expresiones de la marca\u00a0Ferragamo<\/span>\u00a0est\u00e1n discretamente omnipresentes: la artesan\u00eda del cuero en el coraz\u00f3n de la casa aparece a trav\u00e9s de formas Gancini intrincadamente entrelazadas, mientras que el monograma se expresa a trav\u00e9s de una l\u00ednea sostenible de jacquard vaquero desgastado y bolsos de mano perforados.<\/p>\n

<\/p>\n

En cuanto al calzado, los modelos puntiagudos del zapato Eva y una sandalia gr\u00e1fica se atan a la pantorrilla con cintas de seda mate, haciendo eco de la historia de la bailarina de la colecci\u00f3n con un minimalismo moderno. \u00a0Por otra parte, los mules de jacquard con flecos aparecen junto a los botines geom\u00e9tricos, una evoluci\u00f3n contempor\u00e1nea de un estilo de archivo de los a\u00f1os cuarenta.<\/p>\n

<\/p>\n

En cuanto a los accesorios, se introduce una silueta de bolso flexible, que se pliega suavemente sobre s\u00ed mismo, con su piel adornada con un Gancini met\u00e1lico. El emblem\u00e1tico bolso Hug se suaviza y se reconstruye, con su \u00fanica asa y su piel flexible que ahora dan forma a su estructura, o se transforma en un nuevo clutch. El Foulard toma su forma de la ca\u00edda de los pa\u00f1uelos, al igual que un bolso de dos piezas suspendido de una cadena Gancini de piel.<\/p>\n

*Im\u00e1genes: cortes\u00eda<\/em><\/p>\n","protected":false},"author":11653,"featured_media":179139,"template":"","format":"standard","categories":[1],"acf":[],"yoast_head":"\nMilan Fashion Week: Ferragamo SS25<\/title>\n<meta name=\"description\" content=\"Para primavera-verano de 2025, a trav\u00e9s del vocabulario visual de\u00a0Ferragamo, Maximilian Davis explora la historia de\u00a0Ferragamo\u00a0y el ballet.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/graziamagazine.com\/es\/articles\/milan-fashion-week-ferragamo-ss25\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Milan Fashion Week: Ferragamo SS25\" \/>\n<meta property=\"og:description\" content=\"Para primavera-verano de 2025, a trav\u00e9s del vocabulario visual de\u00a0Ferragamo, Maximilian Davis explora 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