{"id":177096,"date":"2024-06-25T09:00:28","date_gmt":"2024-06-25T07:00:28","guid":{"rendered":"https:\/\/graziamagazine.com\/es\/?post_type=articles&#038;p=177096"},"modified":"2024-06-25T00:21:20","modified_gmt":"2024-06-24T22:21:20","slug":"el-fenix-la-coleccion-de-alta-costura-de-schiaparelli","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/es\/articles\/el-fenix-la-coleccion-de-alta-costura-de-schiaparelli\/","title":{"rendered":"&#8216;El F\u00e9nix&#8217;, la colecci\u00f3n de Alta Costura de Schiaparelli"},"content":{"rendered":"<p>En marzo de 1932, la reputaci\u00f3n de Elsa Schiaparelli ya estaba hecha:\u00a0<strong>empresaria cambiante<\/strong>, desdibujaba las fronteras entre la moda y el arte y entre la vida y el arte.\u00a0<strong>Enigma glorioso<\/strong>, era (seg\u00fan a qui\u00e9n se preguntara) escurridiza o escandalosa,\u00a0<strong>impactante por su libertad<\/strong>, su falta de inhibiciones y su aparente incapacidad para preocuparse por las convenciones. Como dijo de ella su \u00edntimo amigo Salvador Dal\u00ed:\u00a0<strong>\u00abNadie sabe c\u00f3mo se dice Schiaparelli, pero todo el mundo sabe lo que significa\u00bb.<\/strong><\/p>\n<p><img decoding=\"async\" src=\"https:\/\/media.vogue.es\/photos\/6679626763ed66f5f3b1915a\/master\/w_1600%2Cc_limit\/GettyImages-2158454549.jpg\" alt=\"Schiaparelli habla de renacimiento en su desfile de Alta Costura  oto\u00f1o-invierno 2024-2025 | Vogue Espa\u00f1a\" \/><\/p>\n<p>Nueve a\u00f1os m\u00e1s tarde, para la gala de inauguraci\u00f3n del restaurante Ambassadeurs de Par\u00eds,\u00a0<strong>Schiaparelli luci\u00f3 un vestido pintado por Dunand<\/strong>, con una estola de plumas de gallo elegantemente enrollada alrededor de los hombros. Era\u00a0<strong>un homenaje a la gran bailarina Anna Pavlova<\/strong>, fallecida ese mismo a\u00f1o, con la que a menudo se confund\u00eda a Schiaparelli, de pelo negro corto y rasgos afilados. Pero si Pavlova siempre estuvo asociada a su ic\u00f3nica actuaci\u00f3n en \u00abLa muerte del cisne\u00bb,\u00a0<strong>Schiaparelli era un ave f\u00e9nix<\/strong>, una criatura m\u00e1gica cuyo poder resid\u00eda en su incesante\u00a0<strong>capacidad para reinventarse<\/strong>, no s\u00f3lo a s\u00ed misma, sino tambi\u00e9n a la moda.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/media.vogue.es\/photos\/667962674a455e766c886b5a\/2:3\/w_2560%2Cc_limit\/GettyImages-2158454679.jpg\" alt=\"Schiaparelli Alta costura oto\u00f1o invierno 20242025\" \/><\/p>\n<p>El contexto de esta colecci\u00f3n, que<strong>\u00a0honra el singular don de Elsa para renacer<\/strong>, s\u00f3lo es superado por su forma. Cada pieza es clara en su silueta y su t\u00e9cnica: se puede ver el origen de cada look,\u00a0<strong>c\u00f3mo pas\u00f3 del boceto al estudio y a la tela<\/strong>. Adem\u00e1s, cada uno de ellos est\u00e1 pensado para provocar alg\u00fan tipo de emoci\u00f3n, aunque -parafraseando a Hemingway- una emoci\u00f3n profundamente controlada. Cada vestido, cada corpi\u00f1o, cada zapato, cada trozo de pluma de terciopelo doblada o cada triple espiga de organza\u00a0<strong>buscan captar la atenci\u00f3n y retenerla<\/strong>.\u00a0<strong>El dise\u00f1o en su conjunto<\/strong>\u00a0tambi\u00e9n\u00a0<strong>pretende<\/strong>\u00a0atrapar, pero hasta cierto punto\u00a0<strong>desconcertar<\/strong>, guardar sus secretos.<\/p>\n<div class=\"content-gallery\"><div class=\"gallery-placeholder\"><div class=\"spinner\"><\/div><\/div><span class=\"gallery-pagination\"><\/span><div id=\"gallery-1\" class=\"gallery galleryid-177096 gallery-columns- gallery-size-\"><figure class=\"gallery-item\"><div class=\"gallery-icon landscape\"><img loading=\"lazy\" decoding=\"async\" width=\"581\" height=\"878\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-6.png\" class=\"lazy\" alt=\"\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-6.png 581w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-6-199x300.png 199w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-6-400x604.png 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-6-142x215.png 142w\" sizes=\"(max-width: 581px) 100vw, 581px\" \/><\/div><\/figure><figure class=\"gallery-item\"><div class=\"gallery-icon landscape\"><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"879\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-1-1.png\" class=\"lazy\" alt=\"\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-1-1.png 587w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-1-1-200x300.png 200w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-1-1-400x599.png 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-1-1-144x215.png 144w\" sizes=\"(max-width: 587px) 100vw, 587px\" \/><\/div><\/figure><figure class=\"gallery-item\"><div class=\"gallery-icon landscape\"><img loading=\"lazy\" decoding=\"async\" width=\"585\" height=\"874\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-2-1.png\" class=\"lazy\" alt=\"\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-2-1.png 585w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-2-1-201x300.png 201w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-2-1-400x598.png 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-2-1-144x215.png 144w\" sizes=\"(max-width: 585px) 100vw, 585px\" \/><\/div><\/figure><figure class=\"gallery-item\"><div class=\"gallery-icon landscape\"><img loading=\"lazy\" decoding=\"async\" width=\"587\" height=\"881\" src=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-4-1.png\" class=\"lazy\" alt=\"\" srcset=\"https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-4-1.png 587w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-4-1-200x300.png 200w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-4-1-400x600.png 400w, https:\/\/graziamagazine.com\/es\/wp-content\/uploads\/sites\/12\/2024\/06\/mail-4-1-143x215.png 143w\" sizes=\"(max-width: 587px) 100vw, 587px\" \/><\/div><\/figure><\/div><\/div>\n<p>Ese dise\u00f1o m\u00e1s amplio es\u00a0<strong>el universo en continua expansi\u00f3n<\/strong>\u00a0de la\u00a0<em>Maison<\/em>\u00a0Schiaparelli. Hace poco me dijeron que\u00a0<strong>\u00abla gente no compra Schiaparelli, lo colecciona\u00bb<\/strong>. Ese tipo de devoci\u00f3n s\u00f3lo se inspira en\u00a0<strong>una relaci\u00f3n \u00fanica<\/strong>\u00a0entre cliente y creaci\u00f3n. Esto es lo que hace que la Alta Costura sea tan especial: es\u00a0<strong>una expresi\u00f3n de mi visi\u00f3n actual de la\u00a0<em>Maison<\/em><\/strong>, libre de marketing y merchandising. Pero tambi\u00e9n es algo m\u00e1s: una forma de honrar esa relaci\u00f3n, una de las m\u00e1s \u00edntimas del mundo, en la que\u00a0<strong>doy a las mujeres el poder de renacer, una y otra y otra vez.<\/strong><\/p>\n<p><em>*Im\u00e1genes: cortes\u00eda<\/em><\/p>\n","protected":false},"author":11653,"featured_media":177102,"template":"","format":"standard","categories":[1],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v20.4) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;El F\u00e9nix&#039;, la colecci\u00f3n de Alta Costura de Schiaparelli | Grazia<\/title>\n<meta name=\"description\" content=\"En marzo de 1932, la reputaci\u00f3n de Elsa Schiaparelli ya estaba hecha:\u00a0empresaria cambiante, desdibujaba las fronteras entre la moda y el arte y entre la\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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