{"id":134616,"date":"2018-05-09T21:26:04","date_gmt":"2018-05-09T19:26:04","guid":{"rendered":"https:\/\/graziamagazine.com\/es\/?p=134616"},"modified":"2018-05-09T21:26:04","modified_gmt":"2018-05-09T19:26:04","slug":"cannes-segunda-ronda-todo-al-negro","status":"publish","type":"articles","link":"https:\/\/graziamagazine.com\/es\/articles\/cannes-segunda-ronda-todo-al-negro\/","title":{"rendered":"Cannes, segunda ronda: \u00a1Todo al negro!"},"content":{"rendered":"

La reina de la alfombra roja en la segunda jornada del Festival de Cine de Cannes ha sido, sin duda, nuestra querida Nieves \u00c1lvarez. Enfundada en un\u00a0imponente vestido de Alberta Ferretti<\/strong>, la modelo y presentadora ha aderezado su outfit<\/em> con unas potentes joyas de Bulgari<\/strong>.<\/p>\n

\"Nieves<\/p>\n

Aunque la espa\u00f1ola se ha robado gran parte de las miradas, lo cierto es que la 71 edici\u00f3n del festival est\u00e1 dando muchas lecciones de estilo. Siguiendo la tendencia del \u00abtodo al negro\u00bb, Irina Shayk<\/strong> hizo su habitual derroche de exuberante belleza, resaltada con joyas de Chopard<\/strong>, a tan solo unos d\u00edas de dejar a todos con la boca abierta en el MET Gala. Eso s\u00ed, en esta ocasi\u00f3n parece que ha decido ir sin Bradley Cooper<\/strong>. \u00bfSe habr\u00e1 quedado cuidando a la\u00a0peque\u00f1a Lea De Seine<\/strong>?<\/p>\n

\"Irina<\/p>\n

El mismo color eligi\u00f3 Pen\u00e9lope Cruz<\/strong>, un poco m\u00e1s sencilla que ayer, quien dej\u00f3 en el armario el Chanel<\/strong> de la jornada de inauguraci\u00f3n y opt\u00f3, en el segundo d\u00eda del encuentro cinematogr\u00e1fico, por un modelo de la misma firma pero menos espectacular, con el que acudi\u00f3 a la presentaci\u00f3n de su pel\u00edcula, Todos lo saben<\/em>.<\/p>\n

\"Pen\u00e9lope<\/p>\n

Apostando en esta ocasi\u00f3n por el color del #MeToo<\/em> vimos a una Julianne Moore<\/strong> convertida, que dej\u00f3 a un lado el rojo Givenchy<\/strong> de la jornada anterior para abrazar el tono de la mayor\u00eda, firmado por\u00a0Saint Laurent<\/strong>.<\/p>\n

\"Julianne<\/p>\n

En esta ocasi\u00f3n el rojo ha sido el color elegido por\u00a0Catrinel Menghia<\/strong>. El modelo, de Alberta Ferretti<\/strong>, sin duda destaca el moreno de la modelo rusa, aunque dista mucho de tener la fuerza y el porte del Givenchy<\/strong> que luci\u00f3 Moore<\/strong> el primer d\u00eda.<\/div>\n

\"Catrinel<\/p>\n

\u00bfCu\u00e1l es tu favorita del d\u00eda?<\/p><\/div>\n

Fotos: Getty Images<\/em><\/p>\n","protected":false},"author":11623,"featured_media":0,"template":"","format":"standard","categories":[13,1],"acf":[],"yoast_head":"\nCannes, segunda ronda: \u00a1Todo al negro! | Grazia<\/title>\n<meta name=\"description\" content=\"De la conversi\u00f3n de Julianne Moore al negro al duelo de estilo de Irina Shayk y Nieves \u00c1lvarez. 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